"The kene has existed for centuries, known initially as a craft on textiles, ceramics, or jewelry, but now occupies a different place as both craft and art."
"According to tradition, the designs of kene come from Ronin, the primordial anaconda, creator of life and the universe, linking the patterns to the Shipibo worldview."
"Whoever takes ayahuasca sees the art in their mind, and the art represents our way of life in the jungle, with pigments always being plant-based."
"For the first time, Peru's official pavilion at the Venice Biennale will be represented by an Indigenous artist, marking a significant milestone for Indigenous representation."
Kene patterns, ancestral designs of the Shipibo-Conibo people, are prevalent in Pucallpa, Peru. These geometric patterns are linked to ayahuasca visions and represent the Shipibo worldview. Sara Flores, an artist and craftsperson, emphasizes the dual nature of kene as both craft and art. Her studio is located in the jungle, where she connects traditional practices with contemporary art. In May, Flores will represent Peru at the Venice Biennale, marking a significant moment for Indigenous representation in the art world.
Read at english.elpais.com
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