"Like being asphyxiated in a ball pit filled with candy, the experience of watching The Super Mario Galaxy Movie is at once kaleidoscopic and nerve-wracking. It pantomimes the hallmarks of a good time, with a fast, forced cheeriness; the flashing lights, bright colors, sparkly design, and subplot-happy narrative are there to hold our attention and charm us, but they accomplish the opposite, instead making us worry about what we're missing."
"The sequel, by contrast, is turbo-loaded with character, incident, themes, never pausing to let us appreciate anything. Though directors Aaron Horvath and Michael Jelenic do apparently want us to care: The Super Mario Galaxy Movie centers around families destroyed and reclaimed, a sentence I can't believe I just typed."
"The film's chief villain, the spasmodic Bowser Jr. seeks to save his father, the now-docile Bowser, from neutered captivity. As part of his devious plan, Junior kidnaps Princess Rosalina from her space-faring observatory dominion, where she plays mother to a race of puffy, colorful star children known as Lumas."
The Super Mario Galaxy Movie presents a chaotic viewing experience filled with bright colors and fast-paced narratives that distract rather than engage. It features a storyline about family dynamics, with Bowser Jr. attempting to rescue his father, Bowser, while also kidnapping Princess Rosalina. The film lacks the simplicity and charm of its predecessor, instead bombarding viewers with excessive character and incident. Despite its flaws, the movie is aimed at children, and its commercial success is anticipated, similar to the previous installment.
Read at Vulture
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