'Forbidden Fruits' has been widely hailed as a 'cult classic' by critics and fans, but labeling it as such too soon risks undermining the process that establishes a film's cultural significance over time.
Love Story was based on Elizabeth Beller's book Once Upon a Time, which was helpful, but in a lot of ways Black Rabbit was more 'real' than Love Story because it was entirely fictional. I come from a research background so there's always a lot of research involved, whether it's photographs or books.
They've done some wonderful brick work. There are some brick steps with inset lights leading down to a new pool in the back yard. The late actor's pool on another part of the 2.5-acre property has been filled with concrete, and the statuary he had installed has been sold.
It's a great story where Conan was 40 years king...and he gets complacent, and he gets forced out of the kingdom, slowly. Then there's conflict, of course, and then he somehow comes back, and then there's all kinds of madness and violence and magic and creatures.
During a junket interview with OutNow, Gyllenhaal explained that the punctuation mark was included to represent the "whole lot of energy" that comes out when the historically muted Bride of Frankenstein is finally allowed to speak. That's all well and good, but to viewers the titular exclamation point is less of a metaphor and more of a golden arrow saying, "This movie is going to be crazy."
George Lucas should have died. It was 1962; the 17-year-old had just crashed his yellow Autobianchi convertible into a walnut tree, in Modesto, California. The car rolled, bounced and came to rest - it was "beyond mangled, flipped upside down and twisted like a crushed Coke can against the tree". When the teenager woke in hospital two weeks later, his heart having nearly stopped, he had a new philosophy: "Maybe there's a reason I survived this accident that nobody should have survived."
As the movie opens, the city is being terrorised by a cult calling itself New World, whose members are hell bent on demonstrating their commitment to a survival-of-the-fittest creed by murdering everyone in sight. Their leader, a fearsome killer nicknamed the Night Slasher (Brian Thompson), wields a giant, spiky knife that must be the envy of Black Metal bands everywhere.
It's hard to ignore a film's message when the main character is addressing you directly down the barrel of the camera. Granted, the first time I watched the 1986 teen comedy Ferris Bueller's Day Off, I was the impressionable age of 11 and Look people in the eyes when they're talking to you was on constant rotation in my household. So my green eyes met Ferris's brown ones and I took it all in.
The esteemed film-maker was licking his wounds: his most recent picture, Far from the Madding Crowd, which imbued its 19th-century rural characters with an anachronistic King's Road style and panache, had flopped stateside. Childers approached the date with mixed feelings. He adored Schlesinger's previous movie, the jazzy Darling, starring Julie Christie as a model on the make, and had seen it three times.
Please don't. Your colleagues have already done so. I have an opinion on the matter, but it's trivial. I'm a filmmaker, not a political scientist. As a citizen, he continues, I'm concerned about the deterioration of our democracies, but I have nothing substantial to add about that individual. I trust that Trump will leave sooner or later and that another president will come along to try to fix what he's broken. That's all I can say, he shrugs. So, let's talk about film instead.
We've all watched a film or series and wanted to step straight into it. So, it's hardly surprising that set jetting'is shaping up to be a top travel trend again for 2026. We've already seen it in recent years with the White Lotus effect-the Four Seasons Maui reported a 425% year-on-year rise in website visits after the first season aired. Set jetting seems to be a particularly big hit with Gen Z and millennial travelers-81% now plan their getaways based on what they've seen