Independent films
fromIndieWire
4 days agoYou Can't Make a 'Cult Classic' with Marketing - Opinion
'Forbidden Fruits' faces challenges in being labeled a cult classic too soon despite initial buzz and modest box office performance.
It's a great story where Conan was 40 years king...and he gets complacent, and he gets forced out of the kingdom, slowly. Then there's conflict, of course, and then he somehow comes back, and then there's all kinds of madness and violence and magic and creatures.
I think the way their love story connects because at the beginning Carolyn was playing kind of hard to get. It really intrigued me to get more interested and find more about it. The way their love story connects because at the beginning Carolyn was playing kind of hard to get.
In stark contrast to the much larger McDonald's menu of today, there were only nine items back then - no combo meals or anything, just à la carte options. The only food was a hamburger, cheeseburger, and fries, while for drinks you could get a Coke, root beer, "orangeade," coffee, milkshake, or just plain milk. The most expensive item on the menu was the milkshake, at 20 cents, while all the other drinks cost 10 cents, as did the fries.
It's hard to ignore a film's message when the main character is addressing you directly down the barrel of the camera. Granted, the first time I watched the 1986 teen comedy Ferris Bueller's Day Off, I was the impressionable age of 11 and Look people in the eyes when they're talking to you was on constant rotation in my household. So my green eyes met Ferris's brown ones and I took it all in.
If you woke up too early on a Saturday, you'd turn on the TV to find... nothing. Just a test pattern or static. Television stations actually signed off at night and didn't start broadcasting again until morning. Can you imagine explaining this to kids today? That there was literally nothing to watch? No Netflix library, no YouTube, no endless content.
We obviously grew up together and spent a lot of time on camera together, she said. To not have that for 20 years and work with different people and have all these different experiences, and then come back together? Oh my god, I remember how much I know you on camera and you know me on camera.' It's so special, and it was so much fun because we work really well together.
Please don't. Your colleagues have already done so. I have an opinion on the matter, but it's trivial. I'm a filmmaker, not a political scientist. As a citizen, he continues, I'm concerned about the deterioration of our democracies, but I have nothing substantial to add about that individual. I trust that Trump will leave sooner or later and that another president will come along to try to fix what he's broken. That's all I can say, he shrugs. So, let's talk about film instead.
Early in 1992's Wayne's World, a bunch of rockers squeeze into an AMC Pacer with custom flames painted on the side. As they drive past the automarts, car washes and beef stands of downtown Chicago, Bohemian Rhapsody plays on the car stereo. The song's operatic verses are used for laughs (the Let me go line becomes a cry for help from a friend who is partied out and might honk in the backseat)
"I don't know if I should say this or not, but I know that the internet had this big thing that went on about... that this is really, like, a lesbian love story," she said. "I'm just wondering why Disney didn't wanna follow up with the number two, 'cause 100%, it seems like it would've gone in a great direction for the sequel."