#2025-music-releases

#2025-music-releases

The Korean wave or hallyu that brought the country's culture to the world has now well and truly engulfed Latin America.

Jesca Hoop has announced a tour in support of her upcoming album Long Wave Home. Dates are with Faun Fables and include NYC's Le Poisson Rouge on June 29.

The Coachella Valley Music and Arts Festival is nearly here and our team is already preparing for a weekend full of sunshine, music and Beliebers.

Thaiboy Digital's first album in four years showcases a collaboration with the Swedish production collective Swedm, featuring contributions from Varg2™, Eurohead, and Jamesjamesjames.

The initiative aspires to create 'a new blueprint for artist launches moving forward.' This partnership integrates fan interaction, live broadcast distribution, and platform-native amplification.

TikTok will soon let you stream full songs in its app via a new integration with Apple Music. The company's new Play Full Song feature makes it possible to link your Apple Music account to TikTok, and play any song that strikes your fancy directly in the app while you're scrolling. Starting a song is as simple as tapping a button in the Sound Details page or your For You page.

The only song here that really matters. Written just hours after the murder of Alex Pretti in Minneapolis and released a few days later, Springsteen names names (looking at you, Stephen Miller and Kristi Noem) and speaks bold, specific truth. With a title that recalls his own impactful Streets of Philadelphia, a melody reminiscent of Bob Dylan, and an urgency not felt since Neil Young's Ohio, it may not be groundbreaking musically, but Streets of Minneapolis is exactly what we need right now.

A MARTINEZ, HOST: As we finish this year, let's listen to some of the musicians we lost in 2025. Sam Moore was half the R&B powerhouse Sam & Dave. He sang on smashes such as "Hold On, I'm Comin'," "I Thank You" and this one. (SOUNDBITE OF SONG, "SOUL MAN") SAM AND DAVE: (Singing) I'm a soul man. I'm a soul man. MICHEL MARTIN, HOST: We also lost the guitarist on that song, Steve Cropper. He defined the sound of Memphis soul with the Stax Records House Band. He appeared on hits by Otis Redding, Booker T. & The M.G.'s and Wilson Pickett.

The song reflects on two contrasting visions. In the first verse, he looks back on his childhood growing up female and compares it to living in a dream. Then, after a stirring bridge, he revisits the same reflective structure and ponders his childhood growing up as a boy: "When I was a little boy I wanted to be real/ I wanted to feel all of the things my body wanted me to feel," he sings.

Not only does the track show off Anjimile's lush, patient vocals, it's got a pretty fascinating rhythmic structure; his drummer offsets the groove when they arrive at the chorus, almost like the song gets caught between moving too fast and too slow. That momentum really ramps up in the final refrain, complete with some guitar shredding and open hi-hat smashing. It's a great demonstration of Anjimile's tasteful ear and his ability to match a song's subject with its instrumentation.