#3d-re-release

#3d-re-release

In the new film, he plays a hit man named Mike who is attempting to leave the business when he's framed for murder. He's sleeping with loan shark Nick's wife Alice, so Nick tricks him into pulling off one last job.

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

The Super Mario Super Show has started airing on MeTV using some kind of AI upscaling, and the results are as good as you'd expect. The original series wasn't some incredible production, but the AI has straight-up changed details and smoothed everything over in a weird, ugly way.

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

The app is incredibly simple. I made use of the wonderful SimpleCSS for my design and then made use of the TMDB API. The TMDB APIs are pretty easy to use, but finding out how to get this information did take a bit of digging.

He was the actor I wanted to play this role. It drew on his Native American heritage and his ties to and love of the Southwest. But Kilmer was unable to make it to set due to his battle with throat cancer. The film-maker is working in conjunction with the late actor's estate and his daughter, Mercedes, to bring Kilmer back to life with state-of-the-art, generative AI.

It's a great story where Conan was 40 years king...and he gets complacent, and he gets forced out of the kingdom, slowly. Then there's conflict, of course, and then he somehow comes back, and then there's all kinds of madness and violence and magic and creatures.

Following a flurry of online backlash, AMC Theaters said it would no longer allow an AI-generated short film to be shown at its US locations, in the latest example of the mounting resistance to AI's encroachment on the arts.

(Courtesy of Disney) James Cameron's latest Avatar movie opens with a scene of innocent wonder. Two young brothers soar through the air on winged beasts, taking in the vertiginous views of their majestic home world. Both are Na'Vi, lithe bipedal inhabitants of the verdant moon Pandora introduced back in 2009 in the series' first entry. The boys experience Pandora as a playground, its psychedelic flora and fauna a boundless source of delight. The catch is that one of the brothers is dead.

In recent years, there's one word you hear again and again from movie distributors and pundits: event. Making a great movie is nice. But creating a culture-shaking event is what's required in the current boom-bust film landscape. It's something everyone has known for a long time, but in 2026 it seems like studios are really beginning to grasp what it actually means. From Tom Cruise in an auteur-driven comedy to the sequels to Devil Wears Prada and The Social Network

Through the tiny window of short clips on Instagram and TikTok, Mary's world seems enchanting and vast. Bree's work exudes melancholic emotion and ethereal femininity, painting the surfaces of Mary's world in the vibrating style of stop-motion animation, dappled with sparkling light and computer-generated surfaces so convincing it feels like you could pose the model with your own hands. O'Donnell sat down with us to talk a bit about her process creating textures and her life's work making magic real.

In theory, movies are more accessible than ever before. You are literally reading this on a device that likely has access to a dozen or more streaming video apps and stores, like Netflix, Disney+, Amazon Prime, Tubi, and Hulu. And yet, in reality, things are dire. Movies can be pulled instantly from a service, bad versions can be uploaded and replace what existed before, and trying to manage multiple apps is expensive and annoying. It all sucks so much.