#amiri-baraka

#amiri-baraka

Jackson Jr. recognized the full scope and character of his father's mission as the country preacher who brought "a consistent prophetic voice" to struggles for economic and social and racial justice, and peace, over the course of more than six decades in the public eye.

He maintained a tense relationship with the political order, not because the presidents were White or Black, but the demands of our message, the demands of speaking for the least of these—those who are disinherited, the damned, the dispossessed, the disrespected—demanded not Democratic or Republican solutions, but demanded a consistent, prophetic voice that at no point in time sold us out as a people.

When the optimism of the early movement had begun to fade, and leadership had begun to fracture, and when the country seemed to have grown bored, gotten weary of the idea of justice and equality, and moved on to other concerns, Obama said, Reverend Jackson rose above despair, and kept that righteous flame alive.

Many of these posters are the only surviving proof of certain shows, with no recordings of plays, and certain films, having been lost over time. They offer a history of Black Americans trying to counter harmful stereotypes and provide vital and humanizing contributions to a growing Black culture.

Black History Month is a time to acknowledge and celebrate the achievements and courageous acts of people of African descent in the United States and around the world. This year, Black History month celebrates its 100th anniversary. And yet, Black History Month has failed to fully acknowledge or celebrate the contributions of Black LGBTQ+ people. Just as Pride Month remains overwhelmingly white in its representation, Black History Month continues to be deeply homophobic in its omissions.

First performed in 1910 by Serge Diaghilev's Ballets Russes and adapted by George Balachine for New York City Ballet in 1949, Firebird was inspired by a Russian folk tale. The ballet tells the story of Prince Ivan, who captures the firebird, a creature who is part bird, part woman, and then lets her go.

While taking a break from her musical career, Tifrere founded the nonprofit organisations ArtLeadHER and Art Genesis in 2016. ArtLeadHER provides visual-arts education and exhibition opportunities to women and teenage girls, while Art Genesis helps organise shows for emerging and underrepresented artists.

When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.

We are kicking off 2026 with two events to keep you on the dance floor. If you like to move to the sounds of cumbia and salsa, Eli's and Mad Oak are where you need to be. The Eli's event is a one-off, but you can become a regular at the salsa night at Mad Oak, which takes place three times a month.

On a daily ride between San Leandro and the Mission, a young poet found her page in motion. Sehinne's poem earned a rare sweep of nine-or-higher scores at the 2025 Brave New Voices festival, helping Team Youth Speaks Bay Area take first place. In the piece, the train becomes a steady, slightly offbeat presence part family member, part witness a place where writing happens in stolen minutes between stations.

From brilliant new voices to seasoned icons, many of the past year's breakout works are by Black authors. In June, Great Black Hope, a coming-of-age story reckoning with privilege and belonging, made first-time author Rob Franklin a household name. And in July, Stephanie Wambugu's gorgeous debut novel Lonely Crowds, which explores the intimacy and frustration in the relationship between two lifelong friends, climbed bestseller lists.

For Lowell There are things which, said and true, are of this generation's past; of fighting freedom's battles and of taking off the mask- stories of the actions taken, to blot out the blights of sin, how heroes and the valorous fought their enemies within, Would we be traitors to our bugle, which beckons with its call? - They won freedom for their people but in fine print said: be damned.

Walking through Ideas of Africa: Portraiture and Political Imaginationat the Museum of Modern Art, I noticed that the exhibition didn't have definite sections or texts, and the wall labels abstained from naming the nationalities of the photographers. It was an invigorating experience to be in a show that eschews geographic boundaries set up by Western nations, as well as rejects a cause-and-effect narrative that centers Western colonialism as a framework for understanding African aesthetic production.