Espina humorously admitted to oversleeping on a significant news day, stating, 'Breaking news, mi gente! I can't believe it.' His videos celebrated Maduro's fall but also expressed concern about the complexities of the situation.
It makes me feel proud, simply because of the specific time we're in right now. It definitely takes a lot of courage for kids my age to represent their culture. Anthony Benitez, an 18-year-old violin student born in the United States to Mexican immigrants, expressed how the academy provides a meaningful outlet for cultural expression amid punitive immigration enforcement affecting Latino and immigrant families across the country.
It is a dance tradition, but it's very much culturally rooted. It's also for many, if not all, the people involved, a spiritual practice. But even in different (dance) groups that hold to different ways of being, we still collaborate together - we still work together to uplift the culture.
But Zia is one of an estimated 85,000 to 100,000 Muslims in Colombia, comprising less than 0.2 percent of the country's population. Within that community, though, is a prism of diverse backgrounds and experiences. Some of Colombia's Muslims reflect a rich history of migration to the region. Others are converts. The Colombian Islamic community is a small one but enjoys more on account of its diversity, Zia said, as he took a break from serving tea in his uncle Zaheer's restaurant
In 2011, the Colombian government ordered the creation of a national museum "to achieve the strengthening of the collective memory" around the decades-long armed conflict. That same year, it passed the Victims and Land Restitution Law aimed at providing victims with reparations and justice. More than just a curated collection of objects or artworks, the museum, scheduled to be inaugurated in 2018, was conceived as an archive of the violent civil war.
When he was eight years old, Markus Lidman realized he was different from the other children in Pitea, a town in northern Sweden. They had all inherited the same pale skin tone as their parents. He, on the other hand, was dark-skinned. I decided to ask them if they were really my parents, and they told me they had adopted me in Colombia in 1982. They sat with me and showed me a video of the orphanage, he recalls.
Bernardo grew up in Monterrey, Mexico. From a young age, movement was part of his life. He rode BMX and mountain bikes daily. That routine shaped his mindset. "Being on a bike teaches you focus," he says. "You fall, you get back up, and you keep going." That early discipline stayed with him. It later showed up in his professional life, even when the work looked very different.
Over the past three years, several Latin American countries have witnessed the arrival of the Orb, a futuristic-looking spherical device used to read irises and capture biometric data. This striking technology, developed by World Foundation and created by Sam Altman, a leading figure in artificial intelligence and CEO of OpenAI, along with its operational partner, Tools for Humanity, has been installed in shopping malls, gas stations, and other locations in Colombia, Chile, and Brazil.
Michelle Paulin dances while instructing youth at the Dulce Tricolor Venezolano dance group at the Ariel Dance Studio in Campbell on Jan. 25, 2026. Dulce Tricolor, a Bay Area Venezuelan dance group founded in 2019, teaches children traditional folk dances while preserving culture, building community and offering a sense of home amid Venezuela's ongoing political and economic crisis. (Josie Lepe for KQED)
The only thing most people know about epiphytes, if they know about them at all, is that they're rootless. That's not quite true - they develop highly specialized root systems adapted to wherever they land. In Epiphytic Elucidations at Patel Brown Gallery, Calgary-based artist Marigold Santos takes this fact as more than a metaphor. The exhibition uses epiphytes - plants that grow on other plants without harming them - as a framework for the expansive ways diasporas form through material labor.
In the just-named Grammy Album of the Year, DeBÍ TiRAR MáS FOToS-which Bad Bunny has declared his " most Puerto Rican album " to date-the supernova reggaetonero painted an evocative portrait of the Caribbean island, while declaring to a whopping 8.6 million listeners: "VOY A LLeVARTE PA PR" (I'm going to bring you to Puerto Rico). And he did. Last year, a record-breaking number of tourists-7,486,000 to be exact-visited Puerto Rico's tropical shores.
Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.
In her manifesto, Borderlands/La Frontera, Anzaldúa presents what she calls a new mestiza consciousness, which advocates for ambiguity and moves "toward a more whole perspective, one that includes rather than excludes." Groundbreaking when it was published in 1987, this theory pushed queer, feminist, and cultural scholars to consider how identity is both fluid and informed by several overlapping factors. It also helped to lay the groundwork for branches of study like ecofeminism,
Edward Simon was in his mid-teens when he left his home in Punta Cardon, Venezuela, for good and settled in the United States, driven by his desire to learn about jazz at the source. His quest has taken him to breathtaking creative heights with achievements visible both at home, where the Emeryville pianist and composer is the longest serving member of the SFJAZZ Collective, and abroad, via regular tours throughout Europe.
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