#anglophone-musical-dominance

#anglophone-musical-dominance

The UK digital entertainment sector hit £13.5 billion in revenue in 2025, reflecting a 7.1% year-over-year growth, significantly outpacing the general economy's growth rate of 1.3%.

The xx opened with 'Crystalised,' closed with 'Infinity,' and included the first-ever live performance of 'Season's Run' in their setlist.

Y2K fashion has been steadily making a comeback over the past few years and the use of vintage technology, like disposable cameras, is on the rise. There are a few reasons why, including nostalgia and yearning for an idealized version of the past, doing a 'digital detox' and increasing privacy concerns.

Kanya King stated, 'Black music shapes what we listen to, how we speak, how we dress, how we tell our stories and I guess it's defined as Britain's cultural identity but structurally and institutionally is still often treated as m.'

Neville might not dig up any new revelations or eyebrow-raising moments, but it does elevate the voice of McCartney and relates how some naysayers have discounted his post-Beatles work while others—including John Lennon's son, Julian—consider some of his so-called misfires to be ingenious.

Trade organization RAJAR, which measures UK radio usage, has released its Q4 2025 data. The headline takeaway tells us that 50 million adults (86% of the adults UK population) listens to the radio at least weekly. That usage adds up to just over one billion listening hours. On a per-listener basis, the average person hears 20-30 hours of live radio per week. These numbers do not necessarily indicate turning on an analog radio. Forty-four million 15+ UK'ers use a digitally enabled platform each week.

"I'll Follow the Sun" is "a 'Leaving of Liverpool' song," McCartney explained in his 2021 book The Lyrics. "I'm leaving this rainy northern town for someplace where more is happening." Once they did leave, the band's rise to fame was stratospheric.

I don't want to get into the Beatles thing, not coyly, but actually because I think the world hopefully will benefit from knowing as little as possible going into it.

The Rock & Roll Hall of Fame 2026 nominees have been revealed. This year's shortlist includes Sade, Phil Collins, Mariah Carey, Joy Division and New Order, and Oasis. Rounding out the field are the Black Crowes, Iron Maiden, and Billy Idol, as well as first-time nominees Luther Vandross, Lauryn Hill, Wu-Tang Clan, Jeff Buckley, Melissa Etheridge, INXS, New Edition, Shakira, and P!NK.

The Rock and Roll Hall of Fame has released its shortlist for the 2026 class, presenting us with the strangest potpourri of names in the organization's history. The Black Crowes, Jeff Buckley, Mariah Carey, Phil Collins, Melissa Etheridge, Lauryn Hill, Billy Idol, INXS, Iron Maiden, Joy Division/New Order, New Edition, Oasis, P!nk, Sade, Shakira, Luther Vandross, and Wu-Tang Clan all made the cut.

There's plenty to enjoy in Amber Martin and Shannon Conley's production of The Carnaby Street Girls regardless of whether you're old enough to remember the British Invasion or just discovering that there was a whole lot of great music that came out of England in the '60s. Playing last weekend at The Cutting Room in Kips Bay, the two powerful singers had a great time, singing together and separately, with a repertoire of fab tunes that were hits for a number of swinging British gals.

London band Sorry dropped two new songs today, "Billy Elliot" and "Alone In Cologne." The former premiered on BBC 6Music this morning, and the latter was released shortly after. Listen to both, out now on Domino, below.

The first floor of the iconic pub on Lower Richmond Road will be extended to create the new terrace, which will have a retractable roof and spiral staircase. The venue will also get new equipment to allow it to sell a better range of food, while it will undergo some internal reorganisation and redecoration. An artist's impression of the refurbished pub The Half Moon on Lower Richmond Road

The UK summer may not always play ball, as anyone who's woken up inside a damp tent in a muddy Glastonbury field can attest to, but our festival programme always delivers.

The only song here that really matters. Written just hours after the murder of Alex Pretti in Minneapolis and released a few days later, Springsteen names names (looking at you, Stephen Miller and Kristi Noem) and speaks bold, specific truth. With a title that recalls his own impactful Streets of Philadelphia, a melody reminiscent of Bob Dylan, and an urgency not felt since Neil Young's Ohio, it may not be groundbreaking musically, but Streets of Minneapolis is exactly what we need right now.

"When I read the fine print, it was 'an experience with REO Speedwagon's music.' It's none of the original members," Fletcher recalls. "I don't want to promote the show unless it's the real thing. I don't know why you would want to see that. It's just a cover band. To me, that's a little bit strange." He adds, with a sigh, "If there are no original members, who cares?"