Textiles are a window into the communities that created them, with every motif and line signalling a different memory, tradition or identity. Often seen as folk art, these pieces of embroidery and weaving bring together dozens of narrative threads, from Japan to South America. But nowhere is it more fraught with meaning than in Palestine.
Stephan Hohmann articulates, "As a traditional brand with a strong identity, we are constantly navigating between authenticity and relevance. We seek dialogue with individuals who share our values to reinterpret them in innovative ways."
The Aubusson Tapestry Museum is situated in an exceptional context shaped by a rich history and a powerful natural environment. The Creuse capital of tapestry has been marked by its history since the royal manufactory of the 14th century.
The question of how fashion is archived - what enters the museum; what is deemed worthy of preservation; whose clothes are considered culturally significant enough to outlast the bodies that wore them - has long sat uneasily at the centre of fashion history itself. Institutions have tended to answer it, or ignore it, in much the same way: couture gowns under glass, luxury garments mounted on conservation-grade mannequins in blockbuster exhibitions - an implicit hierarchy of the designed over the worn, the authored over the anonymous.
Suspended within the exhibition space, the piece occupies the room with a soft mass of red and white textiles. Dense embroidery traces arteries and vessels across the surface, while clusters of beads and pearls gather along the contours. Even with this ambitious new scale, it maintains the tactile intimacy of Shin's smaller works.
Making pojagi was a way of "economizing resources," and also "an act of affection," explains artist-fashion designer Christina Kim of Remodelista longtime favorite Dosa. Shown here: Dosa's cotton and silk Pojagi Scarves are "both a reminder of Christina's childhood in Korea and a beautiful expression of traditional recycling"-and would work well on a wall or in a doorway.
My husband and I just upgraded our apartment here in Germany to one with much more space. The downsides of this is we have hard marble floors and a tall-ceilinged living room (oh woe is us!). It's very echo-y and looks directly into our neighbors across the street. The windows have external shutters, so light-blocking isn't needed, but we'd love to get
But this week I spotted an ingenious use for the extras, courtesy of NY-based company Proche Studio. Here's their proposal: Mail in a wool blanket, and they'll give it new life in the form of a great-looking-and uber snug-chore coat, vest, or scarf. I'm particularly smitten by the chore coat, a fresh version of the quilt coats that became popular a couple of years ago, and much, much warmer.
These clothes are not secondhand, says Yin Xiuzhen, the Beijing-born artist known for creating large-scale installations out of found garments and keepsakes. I prefer to call them used' or worn', she explains. Clothes that have been worn' carry a lot of information like a second skin, imprinted with social meaning. In some of Yin's works the clothes are her own, telling a personal story. In others, the clothes are collected, stained and stretched across towering steel frames resembling planes, trains or organic forms.
New year, new shapes. Fish motifs were the unlikely trend of the past few years, and we're still spotting new examples. But! Lately we've noted something new taking flight: simple, graphic, linocut-like silhouettes of birds, swallows, swans, and doves-the latter certainly the symbol we'd like for 2026. Have a look. Above: Ferm Living's whimsical bird hooks are hand-carved and hand-painted (and reminiscent of the company's logo). We like the Lola Bird Hook (left) and the Billie Bird Hook (right).
In the early 19th century, the invention of the loom threatened to turn the labor market upside down. Until then, cloth was made by skilled artisans, but the loom enabled more cloth to be made more quickly by less-skilled workers. One could even argue that the Jacquard loom, a loom that allowed for complex weaving patterns via punch cards, was the first computer.
Fashion and dress in Mesopotamia - clothing, footwear, and accessories - were not only functional but defined one's social status and developed from a simple loincloth in the Ubaid period (circa 6500-4000 BCE) to brightly colored robes and dresses by the time of the Sassanian Empire (224-651). Styles changed, but the essential form and function remained the same. As in any civilization, the upper class and nobility wore more expensive clothes of higher quality.
That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.
The ongoing repression of dissidents in Venezuela following the US attacks reminds us that President Trump never had the interest of the nation's people at heart. The painful reality of many immigrants is one of being caught between dehumanizing forces in their native countries and in exile, and reduced to abstractions in an increasingly unnuanced "discourse" that flattens lived experience.
While descriptions of the distinctive Mongolian nuqula hairstyle abound across both surviving written and visual sources (shaving the top of the head, leaving a rectangular lock on the forehead and twisting the remaining hair behind the ears in loops), rather less attention is given to how women wore their hair. In part, this is due to some of the clothing styles which obscured the hair from the view of travellers or in the paintings produced in the Mongol courts.
From a single material, a Hyderabad-based design studio creates a wide range of site-specific installations, furnishings, and decor. It's all in the name of the firm, The Wicker Story, which was founded in 2019 by architect Priyanka Narula. Capable of being formed into everything from abstract constructions to functional objects, the natural material lends itself a huge variety of pieces that vary in size and complexity.
Embroidery is a historic mainstay of traditional clothing in Asia or the Middle East, as well as Western Haute Couture, but it is increasingly present in Paris, Milan or New York on modern men's shirts, bomber jackets or blazers. Designers at Dior, Dolce Gabbana, Kenzo or Gucci have adopted it in recent runway shows, while Louis Vuitton's celebrity rapper-designer Pharell Williams dedicated his entire June collection to India after visiting the country.
It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom
The collaboration brings together Designtex's deep expertise in high-performance contract textiles and nanimarquina's poetic command of craft, tactility, and the beauty of the imperfect. For both teams, the partnership emerged from an immediate sense of kinship - a shared language of material integrity, color sensitivity, and a respect for heritage techniques reinterpreted for contemporary spaces. "We did that by using performance yarns and intentionally embedding imperfections into the weaving process."
The Rural Cut places vintage fashion in Lebanon's Bekaa Valley, among vineyards, open fields, and the animals that inhabit the land. As a Beirut-based stylist, I worked with a fully Lebanese team to create a shoot that feels authentic, where each garment and every frame reflects the textures, history, and rhythm of the rural landscape. Photography by Angele Basile / Instagram: @angelebasile Styling by Rinad Saad / Instagram: @rinaaaaddd
Speaking backstage before the show, Anderson, dressed in his signature faded Levi's jeans and a navy cashmere sweater, described the collection as another character study, explaining that this time he set out to explore the idea of a new aristocracy, questioning what it means today and what can it be? The-41-year old designer said when it came to the social hierarchy he wanted to ignore the aspect of money and instead home in on their eccentricity.
The rules are there to simplify and clarify, lighting our route to a well put-together outfit. That well put-together outfit has the power to help you feel calmer, simply because you look in the mirror and see a competent person and therefore feel like a competent person.
For the past few years I have planned my outfits around my obsession with pleated trousers, or my latest experimental jean shape. Or I have worn dresses. Sometimes I have ended up in a skirt, but the skirt was kind of an afterthought. For instance, at one point last year when it was chilly and I needed to look smart as well as cosy, I picked out a sweater and a pair of knee-high boots,
