#arsenale

#arsenale

Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.

The project reconsiders the building as a layered architectural structure shaped by successive transformations, reorganizing these historical strata through a spatial strategy that prioritizes clarity, continuity, and flexibility.

The intervention 'restored the perception of the monument's original scale and pavement level,' while enabling visitors to approach the structure more directly and understand the sequence of the ambulatory and its arches. This recalibration of levels, based on archaeological findings and geometric studies, also enabled the reorganization of the stormwater drainage system, integrating surface slopes and transitions into the paving design while maintaining coherence with the monument's historical configuration.

People say, 'It's the most Instagrammed house in the world.' About 150,000 photos the last time we checked. That story, Galan says, helped launched an invasion; the home has been besieged by TV and film crews, tourists, art students, architects, wedding parties and a parade of selfie sticks.

The project examines the integration of digital fabrication processes into reinforced concrete construction, highlighting that while materials such as steel and timber have undergone significant transformation through digital production methods, reinforced concrete has largely retained conventional casting techniques. The proposal aims to address this condition by incorporating digitally fabricated components into the construction system.

"Piano piano" is an old Italian saying that sounds nonsensical, but is actually full of wisdom, especially if you, like me, are finding yourself wishing away these frigid winter days and hoping spring and summer gets here fast. These days, I've found myself rushing from one thing to the next, frustrated at the smallest things, from post office lines to just missing my train. And I'm ready to make a change.

Whether it is Scandinavian innovation, a handmade rope crossing in the Peruvian Andes, or a skyline-defining landmark in a global city, the world would look very different without bridges. For centuries, people have found ways to span rivers, valleys, and rainforests, sometimes working with nature itself to create structures that feel as much like art as engineering. There are millions of bridges across the planet and countless candidates for any best-of list.

The veil covering Christ is extraordinary. It's impossible to understand how Sanmartino managed to create it. The veil defies explanation—for those who can see and for those who cannot. When you touch it, you can feel the veins pulsing beneath.

Set on the edge of the Mediterranean and shaped by centuries of continuous occupation, Naples is a city where architecture is inseparable from time. Layers of Greek foundations, Roman infrastructures, medieval churches, Baroque palaces, and Modern interventions coexist within a dense and compact urban fabric. Naples reveals itself as an accumulation of structures, adaptations, and reuse, where buildings are rarely isolated objects and more often part of a larger spatial, social, and historical system.

The Neptune of Lyon, one of the largest and most important bronze statues from Roman Gaul, has arrived in Rome for a one-time guest starring appearance at the Giovanni Barracco Museum of Ancient Sculpture. The statue is in the permanent collection of the Lugdunum Musee et Theatres Romains in Lyon, and is being loaned to the sculpture museum as part of an extraordinary exchange of ancient works between the two cities.

The design has been revealed and it is a sun-like structure that is inspired by Leonardo's intricate knot patterns. Leonardo spent almost 25 years of his life in Milan and many of his most famous works are from his time in the city. The cauldrons have been designed to open and close with a diameter that expands from 3.1 meters to 4.5 meters and will contain the Olympic flame at their core, encased in a glass and metal container.

A signature view of Venice by Canaletto brought a strong price for the 18th century Italian master at Christie's on February 4, leading the Old Master week in New York. Hammering at $26 million, it sold for a total of $30.5 million including fees, just over its $30 million pre-sale estimate. Backed by a guarantee and irrevocable bid, it was sure to sell.