Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.
"These works are an exploration of the human body's elasticity and capacity to metamorphose. Informed by my own experience of pregnancy and the birth of my first child last year, these paintings are a meditation on physiological transformation and the body's underlying animalistic and mammalian nature."
"These paintings merge the landscape and the intimacy of windows through the framing of the car, bridging the two realms I've typically explored separately. The car becomes a meditation on transition, on existing simultaneously here and elsewhere."
The central nave of Sant'Agostino becomes the spine of the exhibition, as the designer divides the space using white, geometric volumes through freestanding architectural forms that visitors can move through.
I designed the sculpture so that, if it was vandalized, it would still be the same message, because the vandalizers would literally be ending ICE. Art has a lot of impacts on people, and it's a very emotional message and cause.
"In a time of unprecedented division, escalating conflict, and economic turmoil, President Trump focused on what truly mattered: remodeling the Lincoln bathroom in the White House," reads a bronze plaque affixed to the work.
Ali Sbeity painted vibrant portraits and landscapes of his rural hometown in Southern Lebanon, often sharing his works on his Facebook. He participated in numerous local arts exhibitions and created murals for schools in Beirut.
The gym belongs to the Good Shepherd United Methodist Church in Madison, Alabama. As a way of connecting with the community, the church often allows teams and social groups use of its gym.
The paint effect was camouflage using mimicry and disruptive patterns to confuse enemy pilots. It's one image in an exhibition of around 45 paintings and posters, plus some letters and documents recording life in wartime London.
I realized that we don't really think about it this way, but Sodom was a book about war profiteers, that the four men who perpetrated the atrocious, sexual, violent acts of kidnapping people-girls and boys-to bring them to their chateau to do whatever they want with them, they could do that because they were war profiteers within the war of Louis XIV.
"Where this series really started was when I was out painting Seattle's industrial areas, and doing plein air realistic renderings. As I focused more on that industry, I got closer and closer in and it became more abstract-looking at the shapes, colors and lines."