Textiles are a window into the communities that created them, with every motif and line signalling a different memory, tradition or identity. Often seen as folk art, these pieces of embroidery and weaving bring together dozens of narrative threads, from Japan to South America. But nowhere is it more fraught with meaning than in Palestine.
Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.
Each nudibranch in this archive is three inches long, grown-up size, as the artist puts it, and each one is a faithful replica of a real species. The cerata, those finger-like projections on a nudibranch's back that serve as gills and defensive organs, are recreated individually in wool, each in the right shape and color for its species.
Despite having to haul a dozen dumpster-loads of damaged goods out of the offices and the nearby Lab Store, to the tune of $1.5 million, Eileen said at the time, 'It was just stuff.' You can only imagine the emotions that might arise in a chief executive if they saw their sewage-soaked products floating by. Eileen and her staff did not linger there. They mobilized quickly-organizing carpools, impromptu meeting spaces, and arranging interest-free loans for staff needing cash during the crisis.
Our role is, first and foremost, to transmit our fascination with a craft and to ignite that same excitement in the designer. This is the foundation of our curatorial approach: creating the right encounter between a designer's universe and that of a workshop.
Making pojagi was a way of "economizing resources," and also "an act of affection," explains artist-fashion designer Christina Kim of Remodelista longtime favorite Dosa. Shown here: Dosa's cotton and silk Pojagi Scarves are "both a reminder of Christina's childhood in Korea and a beautiful expression of traditional recycling"-and would work well on a wall or in a doorway.
I was surrounded by 200 marine biologists and students living and working together on a small island. That summer changed everything. It was there that I first learned about nudibranchs-these impossibly colorful sea slugs with shapes and patterns that looked like they came from another planet.
Traveller check into hotels for easy access to historical Mayan sites and the cenotes beyond, with ambles through colourful squares and late, balmy nights digesting feasts over tequila tipples. Between cultural excursions and natural wonders, however, there's much to be said for the artisans in these parts. From crafted perfumes to handmade chocolates, these are the gifts and trinkets to make space for in your luggage.
In the early 19th century, the invention of the loom threatened to turn the labor market upside down. Until then, cloth was made by skilled artisans, but the loom enabled more cloth to be made more quickly by less-skilled workers. One could even argue that the Jacquard loom, a loom that allowed for complex weaving patterns via punch cards, was the first computer.
It is not about reproducing the past but about engaging in dialogue with it. We apply the same level of care and rigor to all pieces. Many of our utilitarian pieces have a strong sculptural quality, and several of the more artistic works originate from everyday forms and functions. We do not establish rigid boundaries between these categories; all are part of the same vision.
Visually striking and intricately crafted, the traditional armour and weaponry of the Kiribati islands in the Pacific Ocean were built from coconut fibre, human hair, sharks' teeth and porcupine fish. Yet, fearsome and lethal as these objects were, the people of this remote archipelago weren't especially warlike, as British colonists had long assumed, but were instead part of a ritualised style of combat intended to keep violence between clashing groups to a minimum.
The Irish government will give 2,000 artists unrestricted weekly stipends in a program officials described as a "recognition, at government level, of the important role of the arts in Irish society." After a successful three-year pilot, the Irish government made its basic income program for artists permanent. Similar pilots have been launched here in the United States, but they're supported primarily by the nonprofit sector.
Fashion and dress in Mesopotamia - clothing, footwear, and accessories - were not only functional but defined one's social status and developed from a simple loincloth in the Ubaid period (circa 6500-4000 BCE) to brightly colored robes and dresses by the time of the Sassanian Empire (224-651). Styles changed, but the essential form and function remained the same. As in any civilization, the upper class and nobility wore more expensive clothes of higher quality.
In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.
While descriptions of the distinctive Mongolian nuqula hairstyle abound across both surviving written and visual sources (shaving the top of the head, leaving a rectangular lock on the forehead and twisting the remaining hair behind the ears in loops), rather less attention is given to how women wore their hair. In part, this is due to some of the clothing styles which obscured the hair from the view of travellers or in the paintings produced in the Mongol courts.
The Rural Cut places vintage fashion in Lebanon's Bekaa Valley, among vineyards, open fields, and the animals that inhabit the land. As a Beirut-based stylist, I worked with a fully Lebanese team to create a shoot that feels authentic, where each garment and every frame reflects the textures, history, and rhythm of the rural landscape. Photography by Angele Basile / Instagram: @angelebasile Styling by Rinad Saad / Instagram: @rinaaaaddd
From a single material, a Hyderabad-based design studio creates a wide range of site-specific installations, furnishings, and decor. It's all in the name of the firm, The Wicker Story, which was founded in 2019 by architect Priyanka Narula. Capable of being formed into everything from abstract constructions to functional objects, the natural material lends itself a huge variety of pieces that vary in size and complexity.
Also known as boho style, this free-spirited aesthetic is built on an eclectic mix of patterns and organic textures anchored by earthy elements and color palettes. Take a look at Justina Blakeney's Los Angeles home tour to find inspiration-her peacock-hued bedroom is a lesson in texture. The beauty of this style is that you can express yourself with bold prints that range from paisley motifs and palm leaves, or tone it down by layering a neutral bedspread and pillow shams with tassels or pom-poms.
The collaboration brings together Designtex's deep expertise in high-performance contract textiles and nanimarquina's poetic command of craft, tactility, and the beauty of the imperfect. For both teams, the partnership emerged from an immediate sense of kinship - a shared language of material integrity, color sensitivity, and a respect for heritage techniques reinterpreted for contemporary spaces. "We did that by using performance yarns and intentionally embedding imperfections into the weaving process."
The ongoing repression of dissidents in Venezuela following the US attacks reminds us that President Trump never had the interest of the nation's people at heart. The painful reality of many immigrants is one of being caught between dehumanizing forces in their native countries and in exile, and reduced to abstractions in an increasingly unnuanced "discourse" that flattens lived experience.
Tons upon tons of these single-use plastics end up in landfills or even floating in the ocean. Spanish design firm PET Lamp set out give another purpose to these otherwise short-lived materials. Partnering with artisans in communities from Chile to Ethiopia to Australia, the company celebrates both Indigeneity and sustainability, drawing upon time-honored global craft traditions while supporting local economies and recycling discarded materials.
The 26-year-old real estate project manager from Munich came to the surf camp to improve her skills on the water. I came to talk with adventurous travelers about their big ideas, from new businesses to life after layoffs.
This research-based design project by Laura Oliveira investigates discarded as a potential raw material for sustainable design applications. Human hair is produced continuously and in large quantities through everyday grooming practices, yet it is almost always treated as waste once separated from the body and typically disposed of in landfills. Despite its material properties, strength, flexibility, and durability as a keratin-based protein fiber, its remains uncommon within design and research contexts.
Embroidery is a historic mainstay of traditional clothing in Asia or the Middle East, as well as Western Haute Couture, but it is increasingly present in Paris, Milan or New York on modern men's shirts, bomber jackets or blazers. Designers at Dior, Dolce Gabbana, Kenzo or Gucci have adopted it in recent runway shows, while Louis Vuitton's celebrity rapper-designer Pharell Williams dedicated his entire June collection to India after visiting the country.
Kulhads, also known as terracotta mud cups, once defined the everyday ritual of tea at railway stations across India. Used briefly and discarded soon after, they accumulated along tracks and coastlines, leaving a quiet record of consumption. For this pavilion, more than 18,000 of these cups were gathered from local communities in Dharavi and reused as a building material with structural purpose.
