In Braque's paintings, collages, and prints, the polymath set out to distill bucolic landscapes and rural village scenes as broken up and then re-assembled geometric compositions; decidedly abstract yet still slightly recognizable representations. Through this revolutionary approach, he examined how objects could be depicted from multiple perspectives-multiple sources of light-as if superimposed portrayals of the same setting rendered at different times of day.
It's similar to a vinyl record, but the tracks are in a USB drive. It has no moving parts inside, so it's totally digital in how it stores sound. But it has a physical shape users can hold, flip over, look at, and collect, so in a way, the designer is asking: what if digital music had a physical body?
The collection includes two wireless speakers that both feature Bluetooth 5.5 with Auracast support, an IP67 rating so they can survive the occasional short dunking, 24 hours of battery life, neon colored buttons, and multicolored LED lighting. Cassette tape functionality hasn't been carried forward from Philips' original '80s Moving Sound devices, but both speakers have color LCD screens displaying a stylized animation of spinning cassette reels, and other playback details.
Usually, my handbag is a medley of digital devices and life essentials my phone, iPad, chargers, keys, tampons. But lately, you're likely to also find a half-done newspaper crossword, a ton of stationery, the book I've restarted three times, and whatever scraps and trinkets I've picked up throughout the day to put in my scrapbook. Analog is back, and it feels like we need it more than ever.
Few brands move as fluidly between precision engineering and artistic expression as Yamaha. From concert grand pianos to motorcycles and professional audio systems, the company has long treated sound as both science and sculpture. Its latest speculative speaker concepts continue that philosophy, challenging the conventional box-shaped loudspeaker with forms that are lighter, more interactive, and visually dynamic. Rather than refining the familiar rectangular enclosure, Yamaha's design team rethinks how sound radiates into space and how users physically engage with it.
What's wild about this jump in stamina is that it's disproportionate to the battery's capacity. The Kilburn II ships with a 5,200 mAh cell, while the new model is only about 5% bigger: 5,500 mAh. Clearly, some big efficiencies have been gained.
For this time around, however, the concept player here stays within the audio listening gear domain; nonetheless, has clear signs of a TE-inspired design. The retro Bluetooth player is a music accessory that's reminiscent of the classic cassette tape player design, but on the inside, it's a modern music player that plays music wired or wireless. The aesthetics are purely for arousing the nostalgic feel of listening to music on a cassette player, while the audio is digitally played via a DAC for high-resolution output.
Transparent design has moved beyond gimmick territory into something genuinely compelling. When Nothing started showing off circuit boards through clear plastic, the tech world noticed. Now that aesthetic has matured into a legitimate design movement where form and function create something worth displaying. Audio equipment benefits particularly well from this treatment because the internals actually matter to the listening experience, turning technical components into visual storytelling.
High-quality cables have long been marketed as a key way to get the most out of high-end equipment, such as expensive studio-grade monitor speaker cables and gold-plated HDMI cables for cutting-edge TVs. In the high-end audiophile world, which is renowned for eye-bulging prices, cables can cost tens of thousands of dollars for ultra-pure copper with silver plating, specialized insulation, and dozens of individual conductors that manufacturers claim will squeeze the most out of a luxury-grade sound system aimed at the uber-wealthy.
Music has become the backdrop to almost everything, cooking, working, reading, but the hardware that plays it often looks like a leftover from a tech store, plastic boxes that clash with furniture. There is a tension between wanting good sound in every room and not wanting your living space to feel like a gadget shelf. A speaker that behaves like hi-fi but looks like it belongs on a sideboard can quietly solve that.
Listening to music has mostly collapsed into phones and streaming apps, buried between notifications and multitasking. Some people still crave a single-purpose device that treats listening as the main event, not background noise. The MP-1 is an independent concept study that asks what a modern Walkman could look like if it borrowed Teenage Engineering's design language, without being affiliated with the company or trying to become an official product at all.
Last year saw the highest vinyl record sales since 1984, signaling a strong desire among music enthusiasts to return to a simpler time of physical media. Even cassette tapes are making a comeback, with major artists including Billie Eilish and Taylor Swift releasing their material on the iconic plastic, four-inch audio reels. Now, self-described "party slam" metal band Party Cannon is taking the nostalgia play - often framed as an act of defiance against greedy and AI-slop-infested streaming platforms - to a new level.
When I sit at my desk to work, I play music in the background to avoid getting distracted. For an immersive listening experience that encourages productivity, I typically throw on a pair of headphones, with my current rotation consisting of the Bose QuietComfort Ultra, Sony Ult Wear, and Sennheiser HD 660S2. Also: Spotify vs. Apple Music: I've tried both streaming services, and prefer this one
Chances are this does exactly what you need. It will play your old CDs, your new CDs, your homemade mixtapes, the whole nine yards. You can even listen wirelessly thanks to onboard Bluetooth. It's got a decent battery life that can last you up to six hours, and it uses a USB-C to recharge. We usually have one of those on hand.
Most consumers believe punchy bass and sizzling highs are key to a good speaker. If that sounds like your taste, then you have a lot of options available for you (because a lot of manufacturers cater to booming bass). But the mark of a truly good speaker is the ability to blend the sound in such a way that you hear it as the artist intended.
They're called open earbuds (or open-ear buds, depending on the brand), and just about every audio brand has a pair (or three). They come in a slew of styles, but most either loop around your ears like older Beats buds, or clip on like funky-futuristic earrings. Whatever the style, they're designed to deliver satisfying sound while keeping your ear canals open to the sounds of the world around you.
There's something oddly comforting about watching the vinyl resurgence happen in real time. We've collectively decided that convenience isn't everything, that sometimes the ritual matters as much as the result. But while turntables have been getting their moment in the spotlight, another piece of audio history has been quietly staging its own comeback: the dedicated digital audio player. Enter the DAP-1, a concept device from Frankfurt-based 3D artist
Wireless audio has become the industry standard, but there are still options out there for people who prefer a wired connection. Two new choices joining the market come from Sennheiser, which has released the CX 80U wired earbuds and HD 400U wired over-ear headphones. These new takes on the company's previous models for wired listening have replaced the 3.5mm audio jack connector with a USB-C cable.
It takes the classic tape deck design and turns it into a smart speaker with two tiny 1.5-inch circular OLED displays. They're in that place where the spinning reels used to be, since this isn't exactly a cassette player. On the left, you get the playback controls and on the right side, you get a digital waveform or equalizer. Both screens are touch-sensitive, letting you interact directly with the device without constantly reaching for your phone.
There's something beautifully nostalgic about the radiogram. You know, those elegant wooden cabinets from the mid-century that housed radio, turntable, and speakers all in one piece of furniture that looked good enough to anchor your living room. Ruark Audio clearly remembers, and they're marking their 40th anniversary by bringing that concept into 2026 with the R810 MiE (Made in England edition), a stunning collaboration with Storm Furniture that proves technology can be just as much art as function.