#band-rehearsals

#band-rehearsals

The xx opened with 'Crystalised,' closed with 'Infinity,' and included the first-ever live performance of 'Season's Run' in their setlist.

Knumears is releasing their debut album Directions on April 3, showcasing their unique sound within the Los Angeles screamo scene. The album is available through Run for Cover and Summer Shade.

Tone Freq Studios captures pristine acoustics and emphasizes analog warmth, creating a tactile space that values collective experiences over the convenience of digital recording methods.

Jesca Hoop has announced a tour in support of her upcoming album Long Wave Home. Dates are with Faun Fables and include NYC's Le Poisson Rouge on June 29.

All but one of the song titles on Body Sound, the debut album from experimental string trio Whitney Johnson, Lia Kohl, and Macie Stewart, line up nicely-a few words, usually two, usually nouns, separated by a vertical line. The straight line in the middle means different things in different disciplines. In computing, it's called a 'pipe' and serves as a conduit. In poetry, it denotes a pause or break. In music, it marks the beginning and end of measures.

People all saw that there is something new is being attempted here that you've just got to see. I think that is its own reward. In an era where New York's storied Met Opera has faced layoffs, pay cuts, postponed productions, and a controversial financial agreement with Saudi Arabia, forward-thinking artistic direction becomes essential for survival.

Durand Jones and the Indications have built a following on modern soul that feels warm, textured, and deeply rooted in classic R&B traditions. Formed in Bloomington, Indiana, the band leans into rich harmonies, tight rhythm sections, and songwriting that balances vulnerability with groove.

In frightening times, it makes a huge difference not to feel alone. Creating art with others in community enhances agency and strengthens self. Creativity requires an open heart; love enhances hope and diminishes fear.

PLC announces the retirement of its Artistic Director, Mary McCarty, following 11 years of inspired leadership and artistic excellence.

Band of Skulls emerged from Southampton, England with a gritty, blues-soaked take on garage rock that felt both scrappy and deliberate. Their breakout album Baby Darling Doll Face Honey introduced a sound built on thick riffs, tight rhythm work, and a push-pull vocal dynamic that gave the songs real tension.

R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.

The wildly talented Bérubé has played violin with everyone from Stevie Wonder to Death Cab for Cutie. From touring nationally with the Broadway musical Hamilton to touring the world, Bérubé is in search of new experiences and challenges.

Intense listening capabilities from these exquisite players which required, more than anything else, a great deal of trust. They posited about thematic structures, which somehow got agreed upon, live in the moment through a collective groupthink. Right there on stage. No words spoken, just an exchange of bizarrely intense looks. Ranging from 'we're almost there' to 'don't you dare.' That's trust, people.

Formed at the Oberlin Conservatory of Music, the group blends technical precision with expressive range, moving comfortably between classical staples and contemporary compositions. Their programs often highlight contrast, pairing the clarity and balance of Haydn with modern textures that stretch tone and color.

I always felt it was impossible for anything to happen with my music. Impossible. The fact that today Fakhr has 260,000 monthly listeners on Spotify is one of music's most unorthodox success stories, a mixture of luck, fate and years of convincing.

I have written before that while women are gloriously surging in academic, social, and career achievement, many young men are flailing. Pop culture pieces as well as academic dissertations are replete with accounts of male aimlessness and resultant disaffection and disengagement. They point out that the growing achievement gap and resultant maturational/responsibility gap between men and women are making young men progressively less and desirable to modern young women.

She's a wonderful person. So that was half of the quest, can we find somebody that's gonna be really fun to be with? She's really a lovely person. She laughs easily. She felt immediately comfortable. I think she was quite nervous in those first few days... But she worked really hard. She prepped for it. She had five songs, and we went through those songs. But by the fourth day, Ged and I, we talked and we weren't quite sold on it.

Craft beer has always been about creativity and community, but when it teams up with rock music, it becomes something truly special. In this post, we'll explore some of the most iconic collaborations between craft breweries and legendary bands, highlighting how these unique brews reflect the spirit of rock culture. ## The Rise of Band-Inspired Brews As craft beer continues to dominate the beverage landscape, breweries are increasingly looking to popular culture for inspiration. Band-inspired beers have become a staple, and for good reason. They not only attract fans of the music but also tap into the stories, values, and identities that these bands represent.

While Modern Baseball co-vocalist Jake Ewald and bassist Ian Farmer have remained very busy with Slaughter Beach, Dog since MoBo's breakup, and drummer Sean Huber stayed active with Steady Hands, it's been a while since co-vocalist Bren Lukens has performed or really done anything at all in the public eye.

The Hotelier recently announced they'd celebrate a decade of their essential third album, 2016's Goodness, with a few shows this year, including NYC's Bowery Ballroom on June 25. Tickets to that sold out, so they've added a second NYC show the next night, on June 26 at Bowery Ballroom.

Designed by Korean up-and-comer Woojin Yang, Everglow is a handheld mini-keyboard that fits into any bag. The "musical sketchbook" of sorts allows artists to quickly jot down ideas when they're not in front of their instruments or computers. The sleekly-designed device comes with a generative AI-based sound system that allows them to iterate and develop a song on the spot, not just transcribe the initial tune.

Tiny Desk Radio co-hosts Bobby Carter and Anamaria Sayre present performances from the next generation of Americana music: Sierra Ferrell, whose sound is firmly planted in the roots tradition; Wyatt Flores, an Oklahoman "red dirt" country singer; and MJ Lenderman, an indie rocker who doubles as the guitarist for the band Wednesday. Sierra Ferrell: Tiny Desk Concert Wyatt Flores: Tiny Desk Concert MJ Lenderman: Tiny Desk Concert

The smooth soul of the jazz dances in perfect harmony with the rhythmic sways of the Latin instruments to create a dialogue that crosses mountains of time. This Sunday is a celebration of that connection with "Latin Heart," a new exploration of "the intersection between jazz and Latin American musical traditions." This one-time performance features the Edward Simon trio along with the Del Sol Quartet and guest saxophonist Chris Potter.

A band called Ad Nauseam is dead set on keeping grunge alive in Portland, but no local venue will return their calls to play a show. Like the most iconic grunge acts, Ad Nauseam has deep PNW roots. They deliver sludgy, whining guitar licks and haunting, sandpapery vocals. They've even got an angsty tune called "Scab Pimple" for goodness sake. So why can't they land a gig? Well, it might be because all four band members are between the ages of 10 and 16.

Angels exist, I swear! If you were at the sold out Austra show on Monday, you would have witnessed Portland-born, Berlin-based multidisciplinary artist Colin Self descending from the heavens to bless us mere mortals with their angelic vocals and cherub-like presence. If you're looking for something to believe in, believe in music-it's one of the very few things with ability to unite complete strangers in dialog, movement, and tears.

I noticed the swelling of the double bass first, quickly followed by the fluttering of brushed cymbals. A saxophone pushing against the edges of a melody swiftly married the notes together, chords drifting haphazardly before reaching a slow, pulsing groove. The jazz quartet performed in front of a liquor cabinet lined with whisky bottles; low-hanging lights teetered overhead, throwing shapes on the monochromatic marble-tiled floor. Outside, a leafy veranda was filled with diners, the music drifting through flung-open doors and windows.

"Many found the music offensive, the dancing objectionable, and the popularity of both with young people verging on a mental health crisis." So writes music historian Susan C. Cook about ragtime, the heavily syncopated ancestor of jazz that arose in the late 1800s. Like all things, ragtime's subversiveness faded over time, and, a century later, the works of Scott Joplin and other practitioners had been relegated to carnivals and fairs, their jaunty piano melodies now evoking quaint notions of old-timey fun.