#british-film-history

#british-film-history

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

Most of the other Best Picture winners are titles that any film lover will recognise instantly. The blind spots are obvious. The Academy never chooses foreign language titles. In recent years, it has shunned comedies. The Shape of Water may have won in 2018, but voters are generally wary about genre pictures.

Institutionally, we still don't understand what inclusion means. Just because you invite someone into a space, but you don't provide the necessary resources to keep them and everyone else in that room safe by them being there, that's not inclusivity. That's exploitation. That man's disability got exploited that night, and it led to multiple offenses.

Does a gorilla playing the drums along to Phil Collins mean anything to you? What about surfers that turn into horses as they're riding the waves? Or a fisherman boxing with a bear over some salmon? Those are just a few of the most iconic adverts to have graced our TV screens over the last five decades. And soon, you'll be able to see them on a humungous scale.

Davidson, a professional photographer and owner of Glasgow-based Studio Snap, is celebrating his strongest trading year to date, with revenues up more than 70 per cent in 2025. The surge follows his memorable appearance on series two of The Traitors, which turned him into a familiar face for millions of viewers, and, unexpectedly, a powerful brand amplifier for his business.

It has an impeccable inner-city skyline. Croydon has the facade of being a bigger city. It's got all these huge offices that looks like residences. And filmmakers get this authentic scenery without the restrictions of space and traffic management found in central London.

So many tourists he picks up want to talk about the hit comedy and, as a fan himself, he's happy to oblige. We're stuck in traffic, which is odd for this small city on a wet Tuesday morning. It's because all the media are here, he jokes. But there is some truth to it. I'm visiting for the world premiere of How to Get to Heaven from Belfast,

The Paddington actor-animatronic hybrid from the West End run of Paddington: The Musicalpresented an award! To whom? Does it matter. Bear on stage! Of course it matters who won a BAFTA off Paddington. Congratulations to Boong. Sinners is also have a good night, though not quite as good as anyone who gets to meet Paddington. The film has already won Editing, Original Screenplay and Supporting actress at the 2026 BAFTA Film Awards.

The politically charged thriller One Battle After Another took six prizes, including best picture, at the British Academy Film Awards on Sunday, building momentum ahead of the Oscars next month. Blues-steeped vampire epic Sinners and gothic horror story Frankenstein won three awards each, while Shakespearean family tragedy Hamnet was named best British film. Jessie Buckley, as widely predicted, also won the best actress prize for her role in Hamnet.

The Castle Cinema, which opened on Chatsworth Road in 2015 after a crowdfunding campaign, has become one of the best places to catch a film in the whole of London, so there's no better team to revitalise Catford Mews. Reopening at The Castle Catford some time in 2026, the venue will boast three screens, a community space, a bar and a cafe.

"On that bleak hill-top the earth was hard with a black frost, and the air made me shiver through every limb," so wrote Emily Brontë. In a story studded with untameable lust, unbreakable love, fierce tempers and shocking acts of revenge, perhaps the most faithful aspect of Emerald Fennell's latest film, "Wuthering Heights", to its 1847 novel is the tempestuous depiction of the remote English countryside. The Yorkshire moors, to be exact.

The esteemed film-maker was licking his wounds: his most recent picture, Far from the Madding Crowd, which imbued its 19th-century rural characters with an anachronistic King's Road style and panache, had flopped stateside. Childers approached the date with mixed feelings. He adored Schlesinger's previous movie, the jazzy Darling, starring Julie Christie as a model on the make, and had seen it three times.

It's nice that you are asking about props, because they're not really acknowledged, says Jode Mann, a TV prop master in Los Angeles. When Mann worked on the children's comedy show Pee-wee's Playhouse in the 1980s, she got a call from its star, Paul Reubens, who said he was nominating her for an Emmy. It was only after Mann told her mother and promised to thank her if she won that Reubens called back to say he couldn't nominate her because there's no category for you.

Casting as an artistic discipline has been around in its current form for decades, despite the proliferation of Zoom and self-tapes. Meticulous research, intuition, collaboration, and creative ability to expand on the filmmakers' vision all go into the casting process. We see no reason IndieWire can't retroactively reward that effort - albeit with no statues or acceptance speeches, unfortunately - to build a sense of what could have been a list of the Best Casting Award Winners for the first quarter of the 21st Century.

I'm autistic and 127 Hours has been my special interest for nearly 15 years,

With more than 100 cinemas, London is a wonderland for cinephiles . Pull back the curtain of some the most beloved picture houses and you'll find fascinating histories galore. The Regent Street Cinema is one of those places. This month it celebrates 130 years since it became the birthplace of British cinema with screenings of the Lumière brothers' groundbreaking Cinématographe show in 1896. It changed entertainment forever.

Its director, Paul Thomas Anderson, also secured Screenwriter of the Year and Director of the Year for the picture, which follows DiCaprio's character searching for his missing daughter. Irish star Jessie Buckley scooped Actress of the Year for her performance in the Shakespearean film Hamnet, while Timothee Chalamet collected Actor of the Year for his lead role in the table tennis drama Marty Supreme at Sunday's London ceremony.