#cedar-roof-decking

#cedar-roof-decking

Growing up in the midsize city of Vancouver, Canada, I always dreamed of living in a big metropolis - a cultural hub where something was always going on, with endless places to explore. For a while, I did. When I started dating a Brit, I moved to his hometown of Birmingham, England, the second-largest city in the UK population-wise, with over a million residents.

Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.

What began as a modest brief for a young and growing family soon evolved into a considered renovation that reimagines an existing Barwon Heads home. The original house had endured several unsympathetic alterations over the years, leaving it disjointed and built to a poor standard.

Jonas Bjerre-Poulsen + 19 Category: Barn, Houses, Adaptive Reuse More SpecsLess Specs Jonas Bjerre-Poulsen Text description provided by the architects. Set close to a small harbour, Lakeshore Barn House is shaped by restraint and clarity, drawing from the familiar silhouette of rural barns to sit naturally within the small lakeside village. The simple cross- shaped layout establishes a central axis that opens uninterrupted views through the house in both directions, strengthening the connection between landscape and interior.

Thermal modification is not a new invention, but its relevance has increased as expectations around performance, sustainability, and predictability have tightened. Developers, architects, and contractors are no longer just asking whether timber looks good or performs well initially. They want to know how it behaves after ten, twenty, or thirty years, and how much risk it introduces into a project once the scaffolding is gone.

The design by Studio Bark is composed of two near cubic volumes set apart and connected by a pitched-roof timber bridge. The architects orient each cube to frame distinct views, one facing east across open fields, the other turning southwest toward woodland. Between them, a double height link forms a quiet internal 'street' lined with bookshelves and rooflights.

Seven years of development allowed Openspace Architecture and landscape designer Paul Sangha Creative to thread a 10,000-square-foot single-story home through mature forest without sacrificing the canopy that defines the site's character - a constraint that ultimately generated the building's gently curving plan and its sequence of connected spaces opening to Saanich Inlet views. The design draws from mid-century West Coast Modernism's timber traditions while incorporating Japanese structural principles that extend beyond aesthetic reference.

Rather than replacing this structure, the project sought to preserve its spatial clarity while updating it for contemporary use as a combined residence and guesthouse. Rising construction costs further reinforced the decision to work carefully with the existing building. The design is based on the idea of 'enclosure' as a recurring condition across different scales: the valley that surrounds Hakone, the forest enclosing the site,

It's likely that you've encountered recycled glass countertops without realizing it. They're far from the hippie-style broken-glass mosaic art of yesteryear, instead presenting as sleek, highly polished, professional slabs with intriguing bits of confetti-style color trapped inside. That's the recovered glass bits set into a binding material such as resin, cement, or concrete, and then smoothly polished so that the composite surface feels like stone.

When it comes to protecting your home, the roof is your first line of defense against the elements. For decades, asphalt shingles have been the go-to choice for homeowners due to their low upfront cost and ease of installation. However, as building technology has advanced and extreme weather events become more frequent, many are starting to look at their roof as a long-term investment rather than a recurring expense.

A new office building that gathers several government agencies under one roof in the centre of Odense is a pioneer project in large scale timber construction and the largest timber office building in Denmark.

The project responds to a series of site-specific conditions, including exposure to wind, sun, and the absence of a dedicated outdoor room. Located adjacent to an architect-designed house with a restrained internal layout, the pavilion offers an additional space without altering the existing domestic interior. Positioned as an intermediary element, it operates as a threshold between the private realm of the house and the open landscape beyond.

Timber cladding has become a defining feature of contemporary construction across the UK. Once associated mainly with rural housing and architectural one-offs, it is now widely used across residential developments, commercial buildings, education projects, and urban regeneration schemes. Its appeal is often described in visual terms, but appearance alone does not explain its continued growth. Timber offers flexibility in design, a lower embodied carbon profile than many alternatives, and the ability to integrate effectively within modern wall systems when specified correctly.

Schacht, originally born in Germany and educated in Europe, moved to Portland in 1883 after the German government claimed his Hamburg home via eminent domain, and he decided to move as far away as possible. While his work over his four-decade career spanned a variety of architectural styles, it has been noted that after 1900, he was "among the first Arts and Crafts-influenced architects to practice west of the Rocky Mountains."

You know that feeling when you run your fingers across something and the texture makes you stop in your tracks? That's exactly the vibe British furniture maker Nick James is going for with his sideboard featuring sculpted doors. And honestly, it's the kind of piece that makes you rethink what furniture can be. At first glance, it looks like a solid oak sideboard. Clean lines, classic proportions, nothing too flashy.