I'm excited to announce something that's never been done before. Better Than Ezra is teaming up with Soundbreak AI to do a songwriting contest. Go on soundbreak.ai, write with me, or write with [bass guitarist] Tom Drummond. Come up with your best idea, your best song.
The album 'was one of my most enjoyable projects ever. I got to work with my son Julian-writing and producing together. A first of many for us I'm sure.' Frampton expressed enthusiasm about the collaborative creative process with his son, highlighting the personal significance of their partnership in bringing the project to life.
Rockie does kinda feel like the album Donna Hayward would make if she could pursue her musical ambitions: She'd be influenced by Julee Cruise, for sure, and probably Chromatics, and Sky Ferreira, and what could be more Badalamentian than the cloudburst of synth that opens "On Our Knees"?
R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.
I still have to go to the studio after this and I have to make a Mardi Gras costume for my son after the studio. Longest day ever. Just after 2:30 a.m., Rihanna can be seen hard at work in the studio, with the session going on well past 5 a.m.
The only song here that really matters. Written just hours after the murder of Alex Pretti in Minneapolis and released a few days later, Springsteen names names (looking at you, Stephen Miller and Kristi Noem) and speaks bold, specific truth. With a title that recalls his own impactful Streets of Philadelphia, a melody reminiscent of Bob Dylan, and an urgency not felt since Neil Young's Ohio, it may not be groundbreaking musically, but Streets of Minneapolis is exactly what we need right now.
A MARTINEZ, HOST: As we finish this year, let's listen to some of the musicians we lost in 2025. Sam Moore was half the R&B powerhouse Sam & Dave. He sang on smashes such as "Hold On, I'm Comin'," "I Thank You" and this one. (SOUNDBITE OF SONG, "SOUL MAN") SAM AND DAVE: (Singing) I'm a soul man. I'm a soul man. MICHEL MARTIN, HOST: We also lost the guitarist on that song, Steve Cropper. He defined the sound of Memphis soul with the Stax Records House Band. He appeared on hits by Otis Redding, Booker T. & The M.G.'s and Wilson Pickett.
Destin Conrad dropped his second studio album, a jazz project titled wHIMSY. Both albums climbed the charts, and Conrad snagged a Grammy nomination for best progressive R&B album for Love on Digital his first as a solo artist. In an interview with All Things Considered, Conrad said he sometimes wondered if people wouldn't take him seriously as a musical artist because of his history on the former video-sharing app Vine, where Conrad shared quirky jokes and clips of himself singing samples
Having already released two EPs under the moniker Georgia Gets By, 2024's Split Lip and 2023's Fish Bird Baby Boy, Georgia Nott (also of BROODS) has announced the project's debut LP, Heavy Meadow. We don't have more details on it yet, but earlier this week, she wrote on Instagram, "I have been imagining and growing this place for the last two years and to be on the cusp of beginning to share it with you all has me shaking with delight. More info forthcoming..."
The 68th Grammy Awards aren't just a night of music industry awards, but a rock star celebration of music itself. There was a slew of showstopping performances at this year's awards ceremony, hosted at Crypto.com Arena in Los Angeles, one of which featured all seven nominees for the best new artist category inlcuding Olivia Dean, Lola Young, and Sombr. Other performances included the in memoriam segment of the show, which featured country superstar Reba McEntire performing at the Grammys for the first time.