#deep-techno

#deep-techno

The two-day electronic music event is set to take place September 19-20, 2026, at Randall's Island Park, promising another immersive experience for dance music fans.

The Day Party will feature big-name DJs such as Mark Farina, Shiny Objects, J Boogie, and Collette back to back with DJ Heather, celebrating three decades of future music.

The evening, spearheaded by directors Sam Bardouil and Till Fellrath alongside patrons Monique Burger and Christine Würfel-Strauss, arrived at a fraught moment for Berlin, whose cultural scene faces funding cuts of roughly €130 million.

AMØK has undergone major improvements ahead of the new season, including enhanced VIP areas, a fully renewed lighting system and upgraded D&B audiotechnik sound system that all underline its reputation for immersive, high-spec production.

Detroit techno, austere and futuristic, grew out of Black/queer culture, sci-fi escapism, and the repetitive language of automobile factories. San Francisco's techno, on the other hand, fused an outdoor hippie aesthetic with ecstatic, UK-derived beats that had crowds mass-hallucinating UFOs on Ocean Beach at dawn. Both shared a deep funkiness, however—remember when people of all shapes and colors once danced wildly?

Metropolis -the tale of an exploited caste of workers breaking free from their oligarchic oppressors by joining together with them to build a new world, as well as an Orpheus-like love story-has famously been in a state of restoration for almost a century, thanks to studio mangling and the ravages of time.

DJ-Kicks is a series that shaped how I think about DJing and listening. I played the DJ Koze mix an unhealthy number of times, to the point where it basically lives in my DNA now. Those mixes taught me that the best ones aren't about showing off; they're about taking people on a journey. They move, twist and surprise you. They give you goosebumps when you least expect it.

OKO DJ's music is best measured not in decibels but in candle watts. Sunlight, one suspects, would reduce it to ashes. Her debut album, As Above, So Below, is a seance of a record, a journey into the darkest corners of the night. The Athens-based musician, aka Marine Tordjemann, is host of an NTS Radio show called Twisted Dream Diary, and As Above, So Below, is similarly steeped in dream logic and surrealistic visions. In its collision of bleak sounds and cosmic mysticism, it often feels like a gothic take on new-age spirituality. It might be the post-post-punk equivalent of a European art-house film shot in grainy black and white, framing monologues muttered in French and Greek in dramatically austere trappings. It's a mood piece par excellence.

Each stage is designed with a clear purpose, allowing different parts of the electronic spectrum to exist without compromise, from peak-time headline techno to foundational house, from high-pressure intensity to emerging local voices. Together, the stages form a complete ecosystem where every sound has room to exist properly, and the whole site is steeped in the famously high spec production, light and sound that makes this one of Europe's leading events.

The work behind "Waiting for You" by Monotronic spanned two years and several geographic mindsets. Its songs were built in the contained spaces of an East Village apartment and the open humidity of Tulum, initially seeming like disparate projects with no clear direction. Only in retrospect did their shared disposition come into focus. This is an album about the slow work of self-knowledge, which here looks less like an epiphany and more like the gradual acceptance of a particular signal,