#dixon-dedman

#dixon-dedman

One of the solutions to the housing crisis can be found in our backyards, our attics, or our basements - in an Ancillary Dwelling Unit. By making it easier for New Yorkers to turn their homes into an extra place for a loved one or a little more income, we're allowing our city to grow while keeping the character of the neighborhoods we love.

Students from across Minnesota are invited to submit designs for a permanent memorial at a 2,247 sq. ft site outside the Cup Foods at East 38th Street and Chicago Avenue, where Floyd died in May 2020 after former officer Derek Chauvin knelt on his neck. The intersection has since been renamed George Perry Floyd Square and features a traffic circle with a temporary memorial at its centre.

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

Casa Tam is one more iteration in a sequence of rewritings. It is a comprehensive renovation of a house already expanded and altered on two prior occasions. Somewhere between new construction and palimpsest, the project takes fragments of original layouts and extends them into new spatial continuities, intertwining them with axes from later interventions.

TiggColl has completed the interior architecture for Canvas Arthur House in Wembley, north west London, with a welcoming and liveable scheme that is rich in texture and materiality, creating a new benchmark for next-generation student housing.

The dream project for me isn't a skyline object or spectacle, it's a long-life system -a project whose structure is reused, materials are upgraded and recycled rather than replaced, and performance improves over time. Where sustainable strategies aren't hidden in basements, or rooftops, but become part of the architectural experience. A dream project would be an urban district reimagined, edited with a scalpel (rather than a sledgehammer) with its declining building stock given a new life through subtle upgrades, modest interventions, and attention to craft and building performance.

A Gothic cathedral can take centuries to complete. A world exposition pavilion may stand for six months. A ritual structure in Kolkata rises and vanishes within five days. Yet each draws pilgrimage, shapes collective memory, and reorganizes urban life. If heritage has long been defined by what endures, architecture repeatedly shows that cultural authority can also belong to what gathers people.

Across this week's broader architecture news landscape, a central theme emerges around the advancement of civic architecture conceived as open, publicly engaged infrastructure, with cultural and institutional projects increasingly designed to strengthen their relationship with the city and everyday urban life. At the same time, renewed global attention turns toward Africa, where large-scale transport infrastructure and the conservation of modernist landmarks reflect interests in the region and the reassessment of the continent's architectural heritage.

Studio Millspace Text description provided by the architects. Throughout eight months of design and on-site work, we realized that what truly matters is not the completeness of drawings, but the intuition shaped by being present. Around 70% of the layout was defined early on, while the remaining 30% was deliberately left without a set functionallowing light, behaviors, and moods to participate in forming the space.

Heritage sites constitute complex spatial archives in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts-from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.

No matter the style or scale, however, his sixth sense for the provision of creature comforts is evident throughout his work. "He just knew how to design a house for cultured living," notes Escher. It's telling that Williams opted for modernism in his own residence, yet the functionalist disposition of the rooms is balanced with richly personal details. "On one hand, it's still sort of a traditional layout in how the kitchen and back-of-house facilities are organized," says GuneWardena.

Postmodernism began as a critique of modernism's exhausted promises. By the late 1960s and early 1970s, many designers no longer treated modernism as radical or socially redemptive. Urban renewal projects accelerated the demolition of historic neighborhoods, and landmark preservation battles raised urgent questions about what the United States valued and, ultimately, protected. The loss of major civic icons, including New York's Penn Station, sharpened public awareness that progress often arrives through erasure.

Qingshan Wu "Ay" () is a type of black-glazed ceramic indigenous to the mountainous region of northeastern Fujian, positioned between pottery and porcelain.

Text description provided by the architects.

When we first visited the site, what struck us the most was that after emerging from a narrow alley, an extraordinary view opened up toward one of the slopes of the Tepozteco mountain range. These rock formations are emblematic of the region, and the land ends precisely at the base of this dramatic topography. From the very beginning, one of our main concerns was to ensure that every room-whether for gathering or resting-could enjoy this privileged view.

Architecture and interior design practice Templeton Ford has completed Clay Rise, a three-bedroom home in the bucolic village of West Hoathly, West Sussex.

Leisure spaces are often where different generations cross paths. Without formal programs or assigned roles, they allow people to move, pause, and remain together, each engaging space in their own way. In a built environment increasingly shaped by specialization and separation, these shared spatial grounds have become less common, giving leisure-oriented architecture a renewed relevance. Discussions around public space have repeatedly pointed to the value of openness and flexibility in supporting collective life.