#echizen-lacquerware

#echizen-lacquerware

Visualizing my inner self through expressions and gestures full of charm and humor has also become an opportunity to deepen my self-love.

The HOUYOU lamp doesn't announce itself. It sits on a table, conical and quiet, wrapped in fibrous brown bark that looks almost raw, almost unfinished.

The S100X Urushi Edition, also known as The Special One, is a limited edition desktop calculator designed using a century-old Japanese Urushi lacquer technique.

Casio's response to that question is its new S100X featuring a traditional Japanese hand-painted finish using sap from the lacquer tree, giving the calculator a glossy black finish with warm red highlights around the edges. It somehow looks even more luxurious than if Casio had simply gold-plated the S100X.

I have virtually no idea what the finished piece will look like until I actually begin working with the wood. As a result, the form often emerges as I carve, and I frequently change my plans midway through the process. Naturally, I keep the many failures a secret.

The clients chose to remain in Yagi-cho while contributing to the continued use of its older building stock. With the support of a local non-profit organization involved in community development, they acquired the eastern portion of a large two-unit rowhouse that had remained vacant for nearly three decades.

SO KOIZUMI DESIGN has developed Resonique, a ladder that explores the relationship between functional structure and sculptural form. The project draws on the structural logic of ladders while referencing the flowing geometries associated with brass musical instruments. Through this combination, the object shifts from a purely utilitarian tool toward a design piece that engages both function and spatial presence.

Designed by Michael Kritzer, an industrial designer with Red Dot, iF, and Cannes Lions awards to his name, Dollights are inspired by creative Kokeshi dolls, those beautifully varied Japanese wooden figures that range from traditional to wildly expressive. The connection isn't literal. You won't mistake these for dolls on a shelf. But the DNA is there in the proportions, that satisfying relationship between a rounded head and a tapered body, the way each silhouette feels like it has its own quiet personality.

Kintsugi 金継ぎ is known as the Japanese art of putting broken things back together, like broken pottery, using materials mixed with powdered gold and other elements. Instead of hiding damage, this technique celebrates the restoration of an object once viewed as broken, flawed, or imperfect. This same process can be seen as a metaphor for addiction recovery. Even for people with addiction who willingly choose recovery, there's an element of being remade that can't be ignored. Addicts often go through a period of denial.

The Bud­dhis­ti­cal­ly inflect­ed " ichi-go ichi‑e" is just one in the vast library of yoji­juku­go, high­ly con­densed apho­ris­tic expres­sions writ­ten with just four char­ac­ters. (Oth­er coun­tries with Chi­nese-influ­enced lan­guages have their ver­sions, includ­ing sajaseon­geo in Korea and chéngyǔ in Chi­na itself.) It descends, as the sto­ry goes, from a slight­ly longer say­ing favored by the six­teenth-cen­tu­ry tea mas­ter Sen no Rikyū, " ichi-go ni ichi-do " (一期に一度).

William Gib­son famous­ly observed that the future is already here, it's just not even­ly dis­trib­uted. That line is often thought to have been inspired by Japan, which was already pro­ject­ing a thor­ough­ly futur­is­tic image, at least in pop­u­lar cul­ture, by the time he made his debut with Neu­ro­mancer in 1984. But as any­one who's spent enough time in the coun­try under­stands - albeit not with­out frus­tra­tion - even twen­ty-first-cen­tu­ry Japan remains in many ways a pre-dig­i­tal soci­ety.

In Lana Launay's Kinship series, light does more than illuminate space. It acts as a living archivist, revealing, preserving, and narrating stories embedded within inherited textiles. Through works such as Kinship I and Kinship II, the artist transforms antique doilies, lace fragments, and stockings passed down through generations into sculptural lighting forms that do not simply display history but actively project it into the present.

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One of Japan's most recognizable cultural practices - the Japanese tea ceremony, known as chanoyu, or chadō - is being reshaped by tourism, wellness culture and social media. Matcha, the Japanese powdered green tea that is used during the ceremony, has entered the global marketplace. Influencers post highly curated tearoom photos, wellness brands market matcha as a "superfood," and cafés worldwide present whisked green tea as a symbol of mindful living.

Japanese design has spent centuries perfecting the balance between restraint and richness. These seven gifts embody that philosophy, where every material choice and geometric decision carries intention. From transparent polycarbonate that frames music like sculpture to hand-planted bristles that honor century-old brush-making techniques, each piece reflects the considered craftsmanship that typically commands luxury prices. The precision is palpable, the materials exceptional, yet the cost remains accessible.

If there was only one interior design style setting the tone in 2026, it would be Japandi. Apartment Therapy's State of Home Design survey identified Japandi style as one of the year's top design aesthetics, according to insights from 140 designers - and it's easy to see why. As more people strive to create spaces that feel calming, intentional, and grounded in nature, Japandi's blend of Japanese restraint and Scandinavian warmth feels especially timely.