#elfrida-marsh

#elfrida-marsh

The Other Bennet Sister imagines Mary's life after the conclusion of Pride and Prejudice, sending her on adventures of the heart and soul in the supportive company of her Aunt and Uncle Gardiner.

While being treated for a serious mental breakdown in 1940, Carrington passed her days by filling sketchbooks with art that reimagined the hospital as an 'underworld' inhabited by strange, hybrid beasts.

Thatcher rose to power on the back of a campaign to Make Britain Great Again-a promise to reverse the previous two decades of austerity, imperial contraction, and stagnating modernization. By 1979, the country was undeniably in decline-not just materially but on a more ineffable level, too. Divested of the unifying effect of global superpower status, the increasingly dis-United Kingdom's common identity was now an open, and anxious, question.

Why, Damon, why, why, why so pressing? The Heart you beg's not worth possessing: Each Look, each Word, each Smile's affected, And inward Charms are quite neglected: Then scorn her, scorn her, foolish Swain, And sigh no more, no more in vain. Beauty's worthless, fading, flying; Who would for Trifles think of dying? Who for a Face, a Shape wou'd languish, And tell the Brooks, and Groves his Anguish, Till she, till she thinks fit to prize him, And all, and all beside despise him?

Marsha eventually brought her salon to campus and founded the Comparative Literature Women's Caucus, an activist collective that established the first women's literature classes in Comparative Literature, conceived and taught by graduate student women. Caucus members helped produce the first major translation anthologies of women's world-wide poetry, encouraged women to write feminist dissertations on women authors, and researched discrimination against women in the department.

Charles Dickens's novels are often criticised for their idealised passive female characters, but as the Dickens Museum now shows, he was, in life and in death, surrounded by formidable, intelligent and independent women. A new exhibition at the museum shifts attention away from Dickens as a solitary genius and instead places women at the centre of his creative world and cultural afterlife.

The night before her wedding to Salman Rushdie in 2021, the American poet and novelist Rachel Eliza Griffiths was fretting about her best friend. Kamilah Aisha Moon was due to read a poem at the ceremony, but no one had heard from her. Her phone was going straight to voicemail and staff at her hotel said she hadn't checked in. We'll find her. She wouldn't miss your wedding, Griffiths's sister, Melissa, assured her.

The Secret Day My yesterday has gone, has gone and left me tired, And now tomorrow comes and beats upon the door; So I have built To-day, the day that I desired, Lest joy come not again, lest peace return no more, Lest comfort come no more. So I have built To-day, a proud and perfect day, And I have built the towers of cliffs upon the sands; The foxgloves and the gorse I planted on my way;

Many editors languish in the margins of history, their contributions largely invisible despite how much they shape whom and how we read. But in recent years, amid a wave of books unearthing overlooked figures, biographers have turned their sights to pioneering book and magazine editors-including Malcolm Cowley of Viking, Judith Jones of Knopf, Bennett Cerf of Random House, and Katharine S. White of The New Yorker -anointing them as the unsung architects of the American literary canon.

It is the summer of 2019, and Sophie Evans, the reckless protagonist of Rhiannon Lucy Cosslett's unsettling second novel, has arrived on an idyllic island in the Cyclades with her university friends Helena, Iris and Alessia to celebrate Helena's forthcoming marriage. Helena doesn't want it called her hen Like we're dumpy little featherbrains going cluck, cluck, cluck, but all the same, the men including Sophie's curator boyfriend of six years, Greg will not arrive for another five days.