#filmmaker-residency

#filmmaker-residency

On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

"Whenever you manage, through cinema, to cast doubt on the assumed nature of things, you might be approaching something really interesting. And when you have done that once, there's no way back."

The 6th edition of Earth 2026 juried awards invites artists worldwide to explore and express the power, beauty, and resilience of our wounded planet as we approach World Earth Day.

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

In the film, Bronz's character is commissioned to compose a new national anthem for post-Oct. 7 Israel, and writes a warmongering ballad about destroying Gaza and 'love sanctified in blood.'

Her practice uses clay to bring people together with the "therapeutic aspects of tactile making". She first came to ceramics during university, where access to the department allowed her to fall in love with the practice. And so, Ciara is deeply cognisant of the importance of supporting those who struggle to access a ceramics studio due to various social factors.

Corey Feldman stated, 'Personally, it felt a little bit like a family reunion I wasn't invited to. It is what it is. I just want to say that I'm with the rest of us, we're all very destroyed that things went down the way they did.'

As audiences increasingly gravitate towards content tailored for mobile devices, the adaptation of traditional storytelling methods to fit vertical formats feels like a natural progression. Vurt sees its platform as a solution that aligns with this future. The success of "micro-drama" platforms like ReelShort and DramaBox has proven that there is a sizable market eager for engaging, bite-sized content.

Each year, most films leave the festival without a distributor in place, and we've only seen a handful of sales so far despite Netflix, Neon, Searchlight, Focus, A24, and more all on the ground. Plus, newcomer distribution groups like Row K and Warners' independent label also landed in Utah to make an impression. Alas, many movies still need a home, and below, IndieWire rounds up the ones we think distributors will click with - some more intrepid than others, but all worthy of a hopefully big-screen landing place.

Jeff Ross didn't plan to start his own film festival. In 1998, he was working for both the SF International Film Festival and the San Francisco Film Society, yet he couldn't find a single local venue to screen the film "Caged" by his friend Rand Alexander. Within months, Ross found himself running the first San Francisco Independent Film Festival (SF IndieFest) out of The Roxie Theater in The Mission.

I was so disgusted. Like, no, you can't have a murder in this sea of people already dying - that's not right, not fair. We can't let this go.

In a small Australian town, two queer kids-Naim (Joe Bird) and Ryan (Stacy Clausen)-share furtive glances and intense kisses in an abandoned mill. Oftentimes, violence, like the rough play fighting they often engage in, incites their sexual passions, which they must conceal in their fiercely religious town. Their adolescent passion turns deadly, however, when Naim discovers Ryan cheating on him with the preacher's son; so naturally the jilted teenager spitefully reports his lover's tryst.