#fka-twigs

#fka-twigs

Lily Allen's 'West End Girl' is an excoriating concept album about the failure of her second marriage, filled with vivid details of betrayal and personal turmoil.

"I turned to the landscape as a way of holding on to moments, to light, and to the often overlooked persistence of life. Photographing has always been, for me, an act of remembrance: a way to slow time and preserve what is still growing and still breathing, even as loss reshapes our experience of the world."

Butterfly unfolds across four unique versions of the same song, each exploring different genres and emotional depths while maintaining a cohesive melody and lyrics.

Um, so yeah, I think I would rather for the sake of my privacy not say too much. But what I would say is that recovery is an ongoing process. I'm not the finished article, but I'm doing a hell of a lot better.

All this to say that Alexander Whitley can harness the technology that so fascinates him, and equally importantly, that he fully understands, to enhance his primary vocation as a dance maker and produce bewitching work. Unfortunately, Mirror, and its companion piece The Rite of Spring, in the brand new double bill currently at Sadler's Wells East, proved major disappointments.

Wolf Alice brought their songs 'White Horses' and 'Leaning Against the Wall' to the small screen during their performance on Saturday Night Live UK.

In an otherwise dark stage, Daniel Proietto stands within a narrow pool of light wearing a bright red satin blouson, a white woollen cap, his pale face and prominent cheekbones suggesting a tormented artist. Afterlight was Maliphant's contribution to Sadler's Wells 1999 mixed programme, an homage to the impresario Sergei Diaghilev on the centenary of his Ballet Russes, and was inspired by the tragic, legendary dancer Nijinsky.

I didn't hear Deceptacon by Le Tigre when it was released in 1999, but I was at a friend's house while he was out, going through all his records, and played it by random. It shook me to the core and I think I played it 100 times in on repeat, dancing around, completely excited. I had never heard something so angry and feminine.

I want people to go on a journey. Some people say their inner child is being healed - my music is doing something for people. So when I'm writing the new music, which is nearly finished, I'm picturing things like Coldplay and Massive Attack shows where they have elements of organic human music, real vocals, and no autotune. That's where I'm going.

After playing an invite-only show at the venue last week, Mitski officially began her six-show residency at The Shed on Monday night (3/2). She played a lot of her fantastic new album Nothing's About to Happen to Me and a bunch of older songs, including one from her 2012 debut Lush, "Pearl Diver."

Whether it's fueling our time on the treadmill, getting us through yet another errand, or helping us dance our cares away on a Friday night, music is a huge part of our lives. And in 2025, we've seen an embarrassment of riches in the music department. To honor that, we're nominating musicians in three star-studded categories: Breakout Musical Artist, Anthem, and Music Video.

Although she is on course for pop stardom, with two nominations at next week's Brit awards, 22-year-old Skye Newman lives in a cabin at the bottom of her sister's garden in London. It's the backdrop for the music video to her song Hairdresser, which has 7.5m views on YouTube. In the clip, she is made up, her hair in rollers, lounging with a gaggle of friends.

I remember laughing so hard, largely because of how Gridley, so relaxed in her comedy, played Juliet as someone who made sense to herself, if no one else, and what did she care? Gridley's comedic stance-part purveyor of nonsense, part paragon of common sense-put her squarely in the tradition of amazing women like Imogene Coca, and "Mad TV" 's Debra Wilson, comedians who made mental pratfalls a thing.

Tracey Emin is internationally renowned for her coruscatingly confessional art, which for over three decades has chronicled an often tumultuous life in various media, including painting, video, textiles, neon, writing, sculpture and installation. Born in Croydon, London, and raised in the seaside town of Margate, Emin first attracted widespread attention when, as a Turner Prize nominee in 1999, she exhibited the now notorious work My Bed (1998) provoking fierce critical debate on what art could-or should-be.

Tate Modern Lates is handing the keys to Honey Dijon this LGBTQIA+ History Month, turning the museum into a proper celebration of queer culture with music, talks, workshops and art running through the night. The Chicago house icon (and longtime London nightlife fixture) is curating a programme that nods to the dancefloor as both sanctuary and statement, including an intimate on-stage conversation about her roots, inspirations and the evolution of queer club culture - from basements to after-hours institutions.

Dry Cleaning singer Florence Shaw likes to keep some distance between her vocals and the rest of the band. Shaw's curious confidences, spoken-word confessions, and bemused monologues appear to have only a passing relationship to the propulsive rhythms and brittle riffs that frame them. That dissonance can be striking at first, but it grows restrictive-stark contrast can only take you so far.

Moni Haworth directed the video for "Dirty Tech," in which the Sonic Youth legend hangs in an empty corporate office dotted with bits of office clutter.

Bendetta's latest single, "Headshot," captures the moment when something shifts: when violent thoughts arise, yet the urge to maintain control prevails. This track navigates themes of anger, boundaries, and the conscious decision to no longer absorb harm without letting it transform you into the one inflicting it. Rather than offering comfort or resolution, "Headshot" demands clarity: it focuses on naming feelings, standing firm within them, and refusing to downplay their significance.

Cabaret legend Justin Vivian Bond is this year's Joe's Pub Vanguard artist, and as part of their curated residency, "drag terrorist" CHRISTEENE played four sold out shows at the venue. Tuesday (1/27) was the final night, and CHRISTEENE covered songs by Lana Del Rey, Sinead O'Connor, Patti Smith, R.E.M., Tori Amos, Tina Turner, and more in addition to playing originals, backed by a band that included Mary Feaster on bass, Lyla Vander on drums, Cole Stone Frisina on sax, Joanie Drago on guitar, James Jackson on guitar and banjo, Cornelius Loy on theremin, and Adam Rineer on piano.