Jack Karlson's declaration, 'Gentlemen, this is democracy manifest! What is the charge? Eating a meal? A succulent Chinese meal?' has become a viral sensation and is now preserved in the NFSA's Sounds of Australia collection.
We are extremely excited to share that MotionVFX is joining the Apple team to continue to empower creators and editors to do their best work. For over 15 years, we've been on a mission to create world-class, visually inspiring content and effects for video editors. From the very beginning, we've been all about quality, ease of use, and great design. These are also the values that we admire most in Apple's products.
Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.
The inquiry was like thousands of others. Somebody had potentially cool films they thought might interest the Library of Congress. But it was brand new for Jason Evans Groth... In September, he stepped outside the National Audio-Visual Conservation Center in Culpeper, Virginia, to meet Bill and Mary McFarland, who had driven from Michigan with about 40 strips of celluloid that had once belonged to Bill's great-grandfather.
Following the strong early traction of vibes in Meta AI, we are testing a standalone app to build on that momentum. We've seen that users are increasingly leaning into the format to create, discover and share AI generated video with friends. This standalone app provides a dedicated home for that experience, offering people a more focused and immersive environment.
Through the tiny window of short clips on Instagram and TikTok, Mary's world seems enchanting and vast. Bree's work exudes melancholic emotion and ethereal femininity, painting the surfaces of Mary's world in the vibrating style of stop-motion animation, dappled with sparkling light and computer-generated surfaces so convincing it feels like you could pose the model with your own hands. O'Donnell sat down with us to talk a bit about her process creating textures and her life's work making magic real.
A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days
Though Tattle TV - a UK-based streaming platform created by filmmakers Philip McGoldrick and Marina Elderton - features a reality dating series about dog-owners and a modern drama about a female MMA fighter, the company's latest debut is a vertically-oriented edit of Alfred Hitchcock's silent film The Lodger: A Story of the London Fog. Similar to other microdrama apps, Tattle TV splits all of its content into short segments that can be purchased individually using an in-app currency (Tattle Coins).
Through the atmospheric lens of New York-based photographer Geordie Wood, a short film called " Divers " glimpses a day in the life of an elite high-diving camp. A moody yet bright setting evokes the way sun still glares when tucked behind clouds or glints off the surface water, and individuals are alternately silhouetted and spotlit by its glow. With cinematography by Adam Golfer and editing by Luke Lorentzen,
"I don't trust my imagination very much, so I often create works based on things I've actually experienced," says Hewa. "I want to animate those indescribable states where all sorts of emotions get mixed up together." In these micro-animations (that do well on social media, both because of their quick runtimes and windows into varyingly haunted and serene worlds), Hewa animates women dreaming of other realities, dinner guests locked into a perpetual state of laughing and empty streets lined with crooked houses.