#funerary-rituals

#funerary-rituals

This project demonstrates the combined power of science, the study of human remains and historical research to discover new information about the six mortuary chests and their occupants which would not have been available to us a generation ago.

Similar to four others unearthed nearby earlier this month, it is sitting upright at the bottom of a one-metre-wide pit. The skeleton's hands are resting in its lap. Like the others, its back is against the eastern wall, its face directed westward.

The excavation ultimately unearthed 34 burials, 15 of them belonging to children between two and ten years old when they died. The graves are clustered in groups, probably reflecting family nuclei. Most the grave types are earthen pits covered with roof tiles angled against each other.

The coffins are elaborately painted in vivid polychrome. They were stacked in layers and carefully arranged so the 22 coffins fit into the constricted space. They were placed in 10 horizontal rows and the lids separated from the body of the coffin to maximize the limited space. There are no personal names on most of the coffins, but there are titles. The most common title found in the coffin is Singer of Amun or Chantress of Amun.

Excavations carried out in 2025 by the Arctic University Museum of Norway revealed that the artefacts came from a boat burial. The grave contained the skeleton of a woman placed inside a boat measuring about 5.5 metres in length. She had been buried together with a dog, suggesting the animal may have been an important companion in life.

Both of the cyst graves feature funerary markers reused as building material. One of them contains the partially preserved tombstone of Legio I Italica centurion Gaius Valerius Verecundus was engraved with a wreath of which only traces remain and an inscription that describes him as having been heavily pressed by fate.

"At Monte Albán alone, more than 200 tombs of varying size and decoration reflect social, political and economic differences among the ancient Zapotecs," Javier Urcid, an anthropology professor at Brandeis University in Massachusetts, tells The Art Newspaper. "Built beneath residences, tombs were reused over generations-with additional burials and occasional changes to offerings or decoration. The inscribed genealogies verified membership in family lineages."

'They're dead.' In disbelief, my response was unfiltered. 'What?' Followed by the F word. A wave of emotion rushed through me. My chest tightened. My body went cold. I could not immediately find the words to offer condolences, not because I did not feel them deeply, but because inside, my many parts were experiencing a collective shock. When you live with dissociative identity disorder (DID), news like this does not land in one place. It ricochets across all parts within.

as the gods were understood as the true monarchs and the king as simply their steward. In order to maintain his authority, the king needed to court the goodwill of the gods, and although they made their approval clear through military victories, bountiful harvests, and prosperous trade, events such as the Akitu festival provided an annual opportunity for the divine to continue its relationship with the ruling house or withdraw its favor.