Lorena Bradford started monthly tours in American Sign Language, established a program for individuals with memory loss, and brought in medical students to learn soft skills to apply in their caregiving. 'I was a sub-department of one,' she joked to writer Emma Cieslik, who spoke with Bradford over Zoom and at the NGA about her own circuitous path into the profession, and the future of the field of museum accessibility.
Like half-remembered dreams, her curious pastoral visions displace familiarity in search of wilder fantasies, where humans are nowhere to be found. Against Nature, the London-based artist's second solo show at Pilar Corrias, establishes Wilson at the helm of a flourishing artistic engagement with the para-pastoral in contemporary painting. Hers is an altogether strange, uncanny variant of the British countryside that resists the canonical entrapments of a bucolic idyll.
