#glass-manufacturing

#glass-manufacturing

In 2019, scientists found that balloons eaten by seabirds are more likely to kill them than other kinds of plastic yet they do not seem to have been earmarked in the same way as, for example, plastic straws.

The entire body of the lamp functions as a lenticular lens, using the fine, horizontal ridges of the 3D printing process as the optical array.

Most water filter pitchers are made of BPA-free plastic. But as new research shows that bottled-water drinkers ingest tens of thousands of excess microplastic particles, wellness lovers have begun to look askance at water filters that are themselves made of plastic.

Glass demands immediacy. Working at temperatures above 2,000°F leaves little room for overthinking, so the process becomes a kind of live dialogue between material, colour and chance. That same immediacy informs what I'm drawn to as a collector: works that carry a decisive gesture, a tactile presence, and the feeling that they could only exist in one form.

Photovoltaic (PV) solar energy represents a modular technology that can be manufactured in large-scale facilities, generating economies of scale, while also being adaptable to small-scale applications. From residential rooftop systems to large-scale power generation installations, photovoltaic solar energy has established itself as a cost-effective option for electricity production in many countries around the world.

In the nineteenth century, entire railway networks became obsolete almost overnight, not due to physical deterioration, but because of changes in the technical standards that supported them. The expansion of railroads across Europe and North America adopted different track gauges, and as a dominant standard gradually emerged, these infrastructures became incompatible with one another.

Perforated metal has long been valued for its strength, versatility, and clean visual appeal. Created by punching patterns of holes into metal sheets, it offers a practical balance between airflow, light control, and structural support. Across industries such as architecture, construction, mining, and interior design, perforated metal has become a go-to material for projects that require both function and style.

I take the product apart. CAD it up. Illustrate each view. Then animate and lay it out for the web. That sounds quick, but it does take me quite a bit of time to create each one.

According to the outlet SlashGear, the neighborhood encompasses five 1,000-square-foot houses just north of Sacramento. Each domicile is produced by a hulking concrete printer worth about $1.5 million, which took about 24 days to spit out the first house. In the future, 4Dify expects the whole process to take about 10 days, but that isn't what's astonishing about the Yuba County neighborhood - it's the price tag.

Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.

Jackery, the home battery company, is back at CES with a solar-powered Gazebo it swears you'll be able to buy in the second half of the year, starting in California. With an expected price of between $12,000 and $15,000 before adding any battery storage, you might want to save a few bucks and build one yourself from solar panels and power stations that Jackery, and many others, will happily sell you.

Each piece begins with used coffee pods collected from my community, materials that were never meant to last beyond a single use. Before any design work begins, the pods must be cleaned, sanitized, flattened, cut, folded, and shaped entirely by hand. They arrive dented, stained, and inconsistent, carrying the marks of their previous life. Learning how to work with those imperfections, rather than erasing them, was one of my first challenges.

Tons upon tons of these single-use plastics end up in landfills or even floating in the ocean. Spanish design firm PET Lamp set out give another purpose to these otherwise short-lived materials. Partnering with artisans in communities from Chile to Ethiopia to Australia, the company celebrates both Indigeneity and sustainability, drawing upon time-honored global craft traditions while supporting local economies and recycling discarded materials.

First and foremost, that small hole allows steam to escape. If a lid is fully sealed right after the cup is filled, steam can gather inside. Under the right conditions, that could build enough pressure to pop the lid off and result in a nasty burn. Letting a tiny bit of steam escape instead makes that pressure build up less likely to happen.

Mexico's construction sector faces significant environmental and social challenges. The widespread use of carbon-intensive materials has positioned the industry as a major contributor to national CO₂ emissions. At the same time, construction labor conditions remain unstable, with limited access to technical training and high occupational risk. CORNCRETL, developed by MANUFACTURA, proposes a circular material strategy that addresses both environmental impact and production models within the building industry.

Just like that coffee cup, eyewear is a complex fusion of materials. Metal hinges are screwed into polymer frames, which hold chemically-coated lenses. This mix of metals, plastics, and coatings means standard sorting machines cannot process them. As a result, they are rejected as contamination and sent directly to landfills, where they contribute to non-biodegradable waste. Unlike a disposable paper cup, however, a pair of sunglasses is built for durability. Its high-quality components make it a perfect candidate for repair, reuse, or reinvention.

One of the earliest large-scale examples of composite materials can be found in the Great Wall of China, where stone, clay bricks, and organic fibers such as reeds and willow branches were blended to create a resilient and lasting structure. These early techniques reveal a timeless intuition: distinct materials, when combined thoughtfully, produce properties unattainable by any single element.

From the large industrial roofs and galleries of the 19th century to the contemporary atriums of museums and public buildings, glass has been a recurring material in shaping large and monumental interior spaces. More than a technological or engineering solution, these horizontal glazed planes introduce a distinct luminous quality: light that comes from above. Unlike lateral daylight entering through façades, zenithal light is more evenly distributed, reduces harsh shadows, and lends spaces a sense of continuity and openness that is difficult to achieve otherwise.

Drawing Architecture Studio presents The Clock House No.2 at the 7th Shenzhen Bay Public Art Season in Shenzhen, Guangdong Province, China, on view until April 19th, 2026. Commissioned for the public art program, the Beijing-based practice reinterprets the historical automaton clock as architecture, using low-cost industrial components to construct a structure that chimes and glows every fifteen minutes. Where the clocks once gifted to emperors represented technical virtuosity and expensive craftsmanship, this installation adopts a deliberately rough and economical construction.

The site lies within the Petite Arche joint development zone, where design considerations include the town entrance, contextual integration, and alignment with natural elements. The building's form signals its position in an urbanized area and maintains visual dialogue with the surrounding landscape, including the protected Saint-Germain-En-Laye forest. A vegetated threshold along the northern edge reinforces landscape continuity, while the southern boundary engages with the urban character of the area.

How did a material conceived for bridges, factories, and large-scale structures make its way to the living room bench, the apartment bookshelf, the café table? For centuries, metal was associated with labor, machinery, and monumentality-from the exposed structures of 19th-century World's Fairs to the productive logic of modern industry. Its presence in domestic interiors is not self-evident but rather a cultural achievement: the transformation of an industrial material into an element of everyday, intimate use, in close proximity to the body.

Spaces of light and darkness are conceived to enhance circulation and spatial directionality, as well as to highlight the colors, textures, and forms of specific architectural elements. That said, the impact of natural light on building facades reveals the need to develop strategies that support energy savings, improve the thermal and visual comfort of interior spaces, and promote the reduction of carbon emissions.