#gospel-blues--jazz

#gospel-blues--jazz

Tiny Desk Radio features a series of home concerts that include performances by Norah Jones, gospel artist Kirk Franklin, and pop sensation Dua Lipa, showcasing their unique musical talents.

Kanya King stated, 'Black music shapes what we listen to, how we speak, how we dress, how we tell our stories and I guess it's defined as Britain's cultural identity but structurally and institutionally is still often treated as m.'

Chaka Khan criticized modern female popstars for 'doing any and every damn thing on stage' while trying to sing, suggesting they are compensating for vocal weaknesses.

Well, I don't think with blues I could get around it. It was in my house since I can remember, you know. My mother's from Monroe, Louisiana. My dad is from somewhere in Texas. And between the both of them, it was a lot of blues in the house. I had a stepdad, too, who was even more into blues. So I couldn't get away from it. And I loved it from the first time I heard it.

Taj Mahal looked out at his fans and stated the obvious: This is off the charts. Indeed, it was a very special night for the legendary Berkeley-based blues musician, who was being honored by an numerous high-profile musicians in concert at The Masonic in San Francisco on Saturday (Feb. 21). The role call featured a number of other Bay Area greats including Rock and Roll Hall of Famers Joan Baez and Van Morrison as well as many other notable artists

When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.

At the turn of the 1960s, when free jazz was making its initial seismic impact, multi-instrumentalist Phil Cohran-he later added the name Kelan-was living in Chicago and playing trumpet for Sun Ra's Arkestra. He contributed to crucial recordings by the band during his tenure, including We Travel the Space Ways, but Cohran was a restless autodidact who never stuck with any one project for long.

The architect of the bestselling jazz album of all time, 1959's Kind of Blue, trumpeter Miles Davis is a towering figure in the history of the genre. Possessed of a piercing tone, innate melodic sensibility and a singularly uncompromising approach on the bandstand, Davis spent his five-decade career presiding over numerous stylistic shifts: bebop to cool jazz, modal jazz, electronic fusion, jazz funk and even hip-hop.

Recorded with producer Shawn Everett (Kacey Musgraves, The War on Drugs) at Hollywood, California's famed EastWest Studios' Studio Three, the album sees frontman Jim James delivering stripped down renditions of MMJ favorites and solo tracks, including "I'm Amazed," "State of the Art," and "Here in Spirit." Alongside these are covers of Bob Dylan ("Blowin' in the Wind"), Brian Wilson ("Love and Mercy"), The Velvet Underground ("I Found a Reason"),

Flipping through the jazz section on a visit to his local record store a few years ago, artist Kye Potter found a battered tape by American pianist and composer Jessica Williams. It looked every bit the quintessential DIY release. The labels had come off the tape, he says. It was home-dubbed, with photocopied notes, a little bit of highlighter to accentuate the artwork, and released on her own label, Ear Art.