#grammy-album-of-the-year

#grammy-album-of-the-year

I do not turn to celebrities for trenchant political takes or honestly really expect them to know what's actually going on in the news. However, I also think that most good art engages with the world in which it's being created, and now that we're in good-art-naming season (aka awards season), ignoring that world is privileged at best and evil at worst.

As the Grammy winners took to the stage in Los Angeles on Sunday night, one common thread emerged: many had once walked the halls of a comprehensive school in Croydon, south London. British performers Olivia Dean, who won the prestigious gong for best new artist; Lola Young, who took home best pop solo performance for Messy; and FKA twigs, who won best dance/electronic album for Eusexua, all attended the Brit school in Selhurst.

The Rock and Roll Hall of Fame has released its shortlist for the 2026 class, presenting us with the strangest potpourri of names in the organization's history. The Black Crowes, Jeff Buckley, Mariah Carey, Phil Collins, Melissa Etheridge, Lauryn Hill, Billy Idol, INXS, Iron Maiden, Joy Division/New Order, New Edition, Oasis, P!nk, Sade, Shakira, Luther Vandross, and Wu-Tang Clan all made the cut.

The 68th Grammy Awards aren't just a night of music industry awards, but a rock star celebration of music itself. There was a slew of showstopping performances at this year's awards ceremony, hosted at Crypto.com Arena in Los Angeles, one of which featured all seven nominees for the best new artist category inlcuding Olivia Dean, Lola Young, and Sombr. Other performances included the in memoriam segment of the show, which featured country superstar Reba McEntire performing at the Grammys for the first time.

A MARTINEZ, HOST: As we finish this year, let's listen to some of the musicians we lost in 2025. Sam Moore was half the R&B powerhouse Sam & Dave. He sang on smashes such as "Hold On, I'm Comin'," "I Thank You" and this one. (SOUNDBITE OF SONG, "SOUL MAN") SAM AND DAVE: (Singing) I'm a soul man. I'm a soul man. MICHEL MARTIN, HOST: We also lost the guitarist on that song, Steve Cropper. He defined the sound of Memphis soul with the Stax Records House Band. He appeared on hits by Otis Redding, Booker T. & The M.G.'s and Wilson Pickett.

The televised main event begins at 8 p.m. It will air on CBS and stream on Paramount+ With Showtime. Leading this year's nominations is Kendrick Lamar, who has nine nods and will be looking to repeat in several categories, including Song of the Year and Record of the Year. Trailing the rapper are Lady Gaga, Jack Antonoff, and producer Cirkut, who have seven apiece. You can read the full nominations list here. (Pitchfork earns a commission from purchases made through affiliate links on our site.)

The only song here that really matters. Written just hours after the murder of Alex Pretti in Minneapolis and released a few days later, Springsteen names names (looking at you, Stephen Miller and Kristi Noem) and speaks bold, specific truth. With a title that recalls his own impactful Streets of Philadelphia, a melody reminiscent of Bob Dylan, and an urgency not felt since Neil Young's Ohio, it may not be groundbreaking musically, but Streets of Minneapolis is exactly what we need right now.

Destin Conrad dropped his second studio album, a jazz project titled wHIMSY. Both albums climbed the charts, and Conrad snagged a Grammy nomination for best progressive R&B album for Love on Digital his first as a solo artist. In an interview with All Things Considered, Conrad said he sometimes wondered if people wouldn't take him seriously as a musical artist because of his history on the former video-sharing app Vine, where Conrad shared quirky jokes and clips of himself singing samples

Not only does the track show off Anjimile's lush, patient vocals, it's got a pretty fascinating rhythmic structure; his drummer offsets the groove when they arrive at the chorus, almost like the song gets caught between moving too fast and too slow. That momentum really ramps up in the final refrain, complete with some guitar shredding and open hi-hat smashing. It's a great demonstration of Anjimile's tasteful ear and his ability to match a song's subject with its instrumentation.

"I don't know," the group's leader, RM, says, "because time has passed. There are a lot of K-pop-related nominees you see in the general field and, really, I want to send big applause for them."

The Recording Academy just made a move that's splitting the music world down the middle. Their stance on AI-generated music promises to protect human creativity-but the guidelines? They've opened more questions than they've answered. The declaration sounds straightforward: only music with "significant human creative contribution" qualifies for Grammy consideration. Dig into the details, though, and you'll find a policy so riddled with ambiguity that artists, producers, and industry insiders are left guessing where the boundaries actually lie.

The Grammy HoF is meant to honor those albums and songs that "exhibit qualitative or historical significance and are at least 25 years old." And this year's honorees are headed up by just such iconic bands/records: Radiohead, Funkadelic, and 2Pac. Thom Yorke and company enter those hallowed halls on the back of their seminal OK Computer, which turns 29 this year.