#historical-printing

#historical-printing

The Household and Wardrobe Accounts are English records that document the daily needs of the king and his family. This book serves as a guide to these sources, showing how they can be used and what valuable insights they offer into medieval government.

What we found was that errata sheets were not only spaces for corrections but also sites of humor, legal maneuvering, and reinterpretation. With this exhibition, we wanted to share ways in which even small corrections can reshape meaning and authority.

Trying to write on a laptop means fighting a machine that is also a notification box, streaming portal, and social feed. Distraction-free apps help, but they still live inside the same browser-and-tab chaos, surrounded by everything else your computer knows how to do. Some writers just want a device that only knows how to produce plain text and does not care about anything else happening in the world.

Image by Klaus Schmeh, via Wiki­me­dia Com­mons Mag­yar, which is spo­ken and writ­ten in Hun­gary, ranks among the hard­est Euro­pean lan­guages to learn. (The U.S. For­eign Ser­vice Insti­tute puts it in the sec­ond-to-high­est lev­el, accom­pa­nied by the dread­ed aster­isk label­ing it as "usu­al­ly more dif­fi­cult than oth­er lan­guages in the same cat­e­go­ry.") But once you mas­ter its vow­el har­mo­ny sys­tem, its def­i­nite and indef­i­nite con­ju­ga­tion, and its eigh­teen gram­mat­i­cal cas­es, among oth­er noto­ri­ous fea­tures, you can final­ly enjoy the work of writ­ers like Nobel Lau­re­ates Imre Kertész and Lás­zló Krasz­na­horkai in the orig­i­nal. Alas, no degree of mas­tery will be much help if you want to under­stand a much old­er - and, in its way, much more noto­ri­ous - Hun­gar­i­an text, the Rohonc Codex.

In this book of moons, I am writing for people for whom the medieval world and its literatures and arts may be unfamiliar. I hope that in telling the stories of medieval moons, I also introduce these readers to the wonderful, mesmerising realm of medieval texts and images. But I also hope that this book may be useful to those with greater familiarity with medieval languages, literatures, and arts.

Now, the nation's largest distributor of print books to public libraries Baker & Taylor is set for imminent closure. For nearly 200 years, Baker & Taylor has played a key role in getting books from manufacturers to warehouses to library patrons' hands. Partnering with more than 5,000 U.S. libraries, the company has been a staple in the industry, selling books at wholesale prices and providing them with labels and lamination so libraries don't have to.

When universities began to emerge in Europe during the eleventh and twelfth centuries, they soon became important centres of knowledge. Their libraries could hold hundreds of books, and many of the most valuable volumes were kept under close control - sometimes even chained to desks. We have few details about how medieval university libraries operated, but a revealing set of rubric headings survives from the University of Angers in western France.

This is a book about a book: the small, cropped, somewhat ragged but brightly illustrated volume now known formally, and rather forbiddingly, as British Library MS Cotton Nero A.x/2. The fame and beauty of its four Middle English poems have given it sobriquets beyond the shelfmark, however, which are more familiar and intimate: it is also the Gawain-Manuscript or, as I will call it, the Pearl-Manuscript.

This open-access book brings together more than thirty essays on languages and the ways they develop, interact, and influence one another. Its main focus is the Middle East, where Hebrew, Arabic, and Aramaic long existed side by side and often overlapped in everyday use, scholarship, and culture. In line with Geoffrey (Khan)'s commitment to the maximally accessible dissemination of research, this Festschrift has been published in both open-access digital editions and affordable printed formats.