The first thing you notice about undertone is how quiet it is; not just in its audio mix, but in how it's shot - primarily steady wide shots that slowly pan across empty rooms, allowing your eyes to frantically scan for something amiss. It's an understated form of filmmaking that allows for the movie's scares to hit all that much harder.
This isn't your average pandemic thriller; here, the infected meld with inorganic material in their surroundings, until their outward contours and their personhood are gone. Thibault Emin's film starts with a little whiff of Jean-Pierre Jeunet and Marc Caro's Delicatessen. After their one-night stand, hypochondriac Anx (Matthieu Sampeur) and impertinent Cass (Edith Proust) find themselves bunkered up in one corner of a madcap apartment block.
It's a movie whose entertaining initial premise and shrewd satire are finally damaged by Raimi's need to juice everything up with spurious horror flourishes for the fanbase, on-brand gore eruptions that aren't really scary and undermine the film's believability, turning everything into silliness. The poster and promotional materials promise a horror film, but that isn't really what this is. But what is it?
Though Tattle TV - a UK-based streaming platform created by filmmakers Philip McGoldrick and Marina Elderton - features a reality dating series about dog-owners and a modern drama about a female MMA fighter, the company's latest debut is a vertically-oriented edit of Alfred Hitchcock's silent film The Lodger: A Story of the London Fog. Similar to other microdrama apps, Tattle TV splits all of its content into short segments that can be purchased individually using an in-app currency (Tattle Coins).