While John Carpenter's 1982 remake was initially dismissed as an empty, nihilistic gorefest, The Thing (née Another World) has since been reevaluated as one of the greatest science-fiction films of the '80s, and certainly one of the most influential.
Daggers Inn is muddled, but landmark cinema in certain respects. Finally, the UK has a film to rival the 2003 US indie The Room, which still plays to packed houses, with audiences eternally thrilled by its hilarious creative choices and uneven performances. Daggers Inn is similarly ripe, not in the calculatedly trashy manner of a Sharknado film, but in the sense of amateurs' original, sincere but almost entirely unsuccessful efforts.
The first thing you notice about undertone is how quiet it is; not just in its audio mix, but in how it's shot - primarily steady wide shots that slowly pan across empty rooms, allowing your eyes to frantically scan for something amiss. It's an understated form of filmmaking that allows for the movie's scares to hit all that much harder.
A source told the Times that the idea had come from deputy director Dan Bongino, a cop-turned-right-wing-podcast-yapper, whose justification for the decision was as follows: "Bongino said, You can have the best female agent take down the biggest case in our history, but if on the Ring door-camera video she's out of shape or overweight, that's going to be the story. He was worried about whether or not they'd look good on a doorbell camera. He said it's the way these times are."
Who needs all those notes? I got tired of that. Really, really tired of that. And I'm like, man, if you're in the arts, you should do everything you can to protect your art. So Campbell knew he wanted to make a movie, and he knew he didn't want to go through the big Hollywood machine.
Until recently, "liminal spaces" were only known to architects. But on the Internet, storytellers and amateur filmmakers have morphed these ubiquitous places you pass by on errand runs into caverns of cosmic terror. Now, a new A24 film from 20-year-old filmmaker Kane Parsons is set to kick off the summer and christen it the season of liminal horror.
In 2006's Final Destination 3 the disaster is a high-speed roller coaster derailment, narrowly avoided thanks to a premonition experienced by high school senior Wendy Christensen (Mary Elizabeth Winstead). But as fans know, Death doesn't like being ghosted. One by one, the survivors are stalked and eliminated through elaborately staged "accidents" that turn mundane locations into Rube Goldberg-ian death traps.
The Welsh-born actor had spent much of the decade living in the United States, where he split his time between the stage and the screen, building an utterly respectable career. He had played a compassionate doctor in David Lynch's The Elephant Man, a murderous ventriloquist in the cult thriller Magic, and the real-life convicted child murderer Bruno Hauptmann in the TV movie The Lindbergh Kidnapping Case, for which he had won his first Emmy.
The subsequent standoff moved to Kiritsis' apartment and eventually concluded in a live televised news conference. The whole ordeal received some renewed attention in a 2022 podcast dramatization starring Jon Hamm. That's owed significantly to Skarsgård, who gives one of his finest and least adorned performances. While best known for films like It, The Crow and Nosferatu, here Skarsgård has little more than some green polyester and a very '70s mustache to alter his looks. The straightforward, jittery intensity of his performance propels Dead Man's Wire.
I'm talking about Iron Lung, a self-financed film by a beloved YouTuber named Mark Fischbach, who goes by the handle Markiplier, and who has more than 38 million followers to his name. The movie, an adaptation of an indie horror video game, had a budget of approximately $3 million-an amount that Iron Lung has already earned back seven times over, with a box office of $21.7 million worldwide.
A caper is always better with two. Batman and Robin, Jake and Finn, Thelma and Louise. Why do you think Shaggy and Scooby were always paired together when the gang split up? This is especially true in comedy, with duos ranging from Laurel and Hardy to Key and Peele taking their place in comedy history. Now, a major comedy duo is reviving a classic horror-comedy made by their Old Hollywood equivalents, right down to reusing the title.
