The new store preserves the building's historic character-keeping original brick walls exposed-while layering in contemporary materials such as metallic finishes, reflective surfaces, and semi‑gloss flooring.
Tone Freq Studios captures pristine acoustics and emphasizes analog warmth, creating a tactile space that values collective experiences over the convenience of digital recording methods.
With our music, I particularly like to be on the extremes of things. So if it's supposed to be pretty in your face, I like to be fairly in your face. And then at the same time, if it's kind of warm and gentle, I like that to be as warm and gentle as possible. I'm interested in those juxtapositions and making those, that's how we want it to come across.
You could go anywhere in America and argue with some success for the cultural impact wrought by most of the once-subcultural stars of Lizzy Goodman's oral history of New York's post-9/11 rock scene, 'Meet Me In The Bathroom.' Or, for God's sake, Jeff Chang's history of hip-hop, 'Can't Stop Won't Stop.' But to explain this era to someone who hasn't devoted their psyche or youth to 'indie rock,' you'd need to spend a whole dinner, and maybe a few drinks afterwards, justifying why the tentpole events that 'Us v. Them' returns to multiple times in its 300-page run mean anything.
Between our daily coverage, our Notable Releases and Indie Basement columns, and our monthly punk and rap roundups, we post tons of new music all the time here on BrooklynVegan. In an effort to keep track of all the new music we're excited about, we've been posting a new playlist each week with many of the songs we love that were (mostly) released that week.
Pavement - Perfect Sound Forever Slint - untitled (albini rough mixes) Grateful Dead - Boston Music Hall, Boston, MA 6/11/76 Grateful Dead - On A Back Porch, Vol. 3 The Sisters Of Mercy - First And Last and Always "The Japanese Edition" Pink Floyd - Live From the Los Angeles Sports Arena, April 26th, 1975 Air - AIR Moon Safari - The Athens Concert Jeff Buckley - Live À L'Olympia
When Braid broke up, guitarist/secondary vocalist Chris Broach formed The Firebird Band, and the remaining three members - frontman Bob Nanna, bassist Todd Bell, and drummer Damon Atkinson - recruited guitarist Mark Dawursk of Alligator Gun and continued on as Hey Mercedes. They recorded it with Jawbox's J. Robbins, who had also produced Braid's classic 1998 swan song Frame & Canvas, and in many ways, it picked up where Frame & Canvas left off.