Marcelo's first Selecao appearance came in a friendly against Wales that was played at White Hart Lane in September 2006. A 25-yard strike from Marcelo just after the hour mark put Brazil on their way that evening.
I remember this as I wend my way from Brazil's colossus, São Paulo, to the coastal enclave of Paraty on the Costa Verde, driving through tunnels of Atlantic Forest that filter blinking bars of light. Floral scents surf on warm air through the open window. The legendary Afro-Brazilian singer-songwriter of the 1960s Tropicalismo genre, who went on to become Brazil's first culture minister to advocate for national diversity, has performed at festivals in Paraty.
Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.
In 2004, the Brazilian musician Seu Jorge recorded a series of Portuguese covers of David Bowie songs for Wes Anderson's film The Life Aquatic with Steve Zissou. The next year, he released a full album of 13 Bowie classics, and in 2016-2017, he even took the songs on tour. Now, in 2026, to mark the 10th anniversary of Bowie's passing, Jorge returns with the performance above.
In the just-named Grammy Album of the Year, DeBÍ TiRAR MáS FOToS-which Bad Bunny has declared his " most Puerto Rican album " to date-the supernova reggaetonero painted an evocative portrait of the Caribbean island, while declaring to a whopping 8.6 million listeners: "VOY A LLeVARTE PA PR" (I'm going to bring you to Puerto Rico). And he did. Last year, a record-breaking number of tourists-7,486,000 to be exact-visited Puerto Rico's tropical shores.
Edward Simon was in his mid-teens when he left his home in Punta Cardon, Venezuela, for good and settled in the United States, driven by his desire to learn about jazz at the source. His quest has taken him to breathtaking creative heights with achievements visible both at home, where the Emeryville pianist and composer is the longest serving member of the SFJAZZ Collective, and abroad, via regular tours throughout Europe.
