#javier-zamora

#javier-zamora

Frida Kahlo, during her 1933 trip to New York, created a colorful haven in her hotel room by covering the walls with prints by José Guadalupe Posada, which depicted sensational news and political imagery.

Valeria Luiselli, an acclaimed author, discusses the intricacies of Julio Cortázar's 'The Night Face Up,' highlighting its themes and narrative structure that intertwine reality and dreams.

Eliades Ochoa's aura is so powerful that under the generous rays of sunlight streaming through the large window on this March morning, he evokes a Western film.

Abraham Vazquez has this lusty, powerful, aching voice. This song is about loss, and you feel it with every inch of intensity that he's performing.

Historic center renewal has become a recurring strategy in Central American cities seeking to reassert the symbolic, economic, and functional relevance of their traditional cores. These processes often combine physical rehabilitation, institutional investment, and stricter control over public space. San Salvador offers a recent and instructive case, which allows for understanding of how interventions in inherited civic spaces balance infrastructure improvement with heritage conservation and social regulation.

Migration is a thing that transforms a human into a different type of human ... the self being transformed into this being that doesn't exist there, and doesn't exist here

Otherworldly forms greet you at the entrance to the exhibition, transporting you into a kaleidoscopic, dream-like space. A voice speaks in the background as projected images dance across the forms, animating the space. "It's been really beautiful to see her work come alive, become a landscape ... where you can traverse and kind of get lost," curator Fabiola R. Delgado says of Lisu Vega's "The Uncertain Future of Absence (El Futuro Incierto de la Ausencia)" (2025).

In addition to writing fiction, you're a staff writer for the and a screenwriter. How do you think of your career? I think of myself as a storyteller. I'm nosy, so once I'm telling a story, I want to know what happens. I do find, with fiction, I can't toggle in and out of it. It's like acting, where you have to stay with that character, in that world.