#joaquin-delgado

#joaquin-delgado

"My paintings can be described as sculptural in nature, emphasising physical presence, weight and materiality."

Singular Archive is a cultural custodian safeguarding the world's rarest liquids. This is not a spirits brand, but an artistic endeavor in which the liquid is a part of the work itself.

Homeowner Richard Segovia said the decision to remove Chavez's image came quickly. Segovia, who described himself as a longtime advocate for women and a supporter of young artists, said he contacted the muralist he works with immediately after a New York Times investigation detailed the allegations. UFW cofounder Dolores Huerta claims to be a survivor of Chavez's alleged abuse.

The project was undertaken by the collaborative team of Laboratorio Regional de Arquitectura, Taller | Mauricio Rocha, and Samuele Xompero after the demolition of the building that once housed the National Union of Cacao Producers, and which had suffered severe structural damage. The building's architecture incorporates the formal memory of its predecessor, but with a new program dedicated to showcasing the transformation of cacao into chocolate.

RootStudio proposes an alternative, where the waiting period becomes a spatial condition worthy of design attention. Each intervention is organized around a continuous roof supported by a rhythmic structural frame. The canopy provides shade and shelter from rain while defining a perimeter for waiting without enclosing it. The architecture reads as a measured gesture within an intense urban setting.

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Spirits brand Clase Azul México will soon open a brand-new home in the city's Polanco area on Feb. 17, offering guided tastings, rotating art installations, private events, and more. The new address, dubbed "Casa de Los Leones," or House of the Lions, was built in a historic mansion where original elements like stained glassed windows were preserved, juxtaposed with contemporary design.

The Mexican Pizza has been a Taco Bell fan favorite since it was first introduced to the menu back in 1985 - though it went by a different name back then, the Pizzazz Pizza. In its current form at the fast food chain, this dish consists of two layers of crisp flour tortillas with refried beans and seasoned ground beef sandwiched in the middle, and "Mexican Pizza Sauce," melted cheese, and diced tomatoes on top.

Traveller check into hotels for easy access to historical Mayan sites and the cenotes beyond, with ambles through colourful squares and late, balmy nights digesting feasts over tequila tipples. Between cultural excursions and natural wonders, however, there's much to be said for the artisans in these parts. From crafted perfumes to handmade chocolates, these are the gifts and trinkets to make space for in your luggage.

In her manifesto, Borderlands/La Frontera, Anzaldúa presents what she calls a new mestiza consciousness, which advocates for ambiguity and moves "toward a more whole perspective, one that includes rather than excludes." Groundbreaking when it was published in 1987, this theory pushed queer, feminist, and cultural scholars to consider how identity is both fluid and informed by several overlapping factors. It also helped to lay the groundwork for branches of study like ecofeminism,

The only thing most people know about epiphytes, if they know about them at all, is that they're rootless. That's not quite true - they develop highly specialized root systems adapted to wherever they land. In Epiphytic Elucidations at Patel Brown Gallery, Calgary-based artist Marigold Santos takes this fact as more than a metaphor. The exhibition uses epiphytes - plants that grow on other plants without harming them - as a framework for the expansive ways diasporas form through material labor.

OSCAR MURILLO (b. 1986, La Paila, Colombia) has developed a multifaceted and challenging practice that spans painting, collaborative projects, video, sound and installation. Through each body of work, the artist probes ideas of collectivity and shared culture, demonstrating a commitment to the power of material presence alongside complex meditations on contemporary society. A focus on the social dimension that sits on the border between performance and events is also central to Murillo's practice.

Taking over the colourful Casa Gilardi, Luis Barragán's last commissioned residence, built for the advertising executive Francisco Gilardi in the mid-1970s, the German artist Gregor Hildebrandt transforms the house's stylish rooms with an ever-expanding exhibition of his enigmatic works across various media. Known for transforming outmoded analogue recording media-including audio cassettes, VHS tapes and vinyl records-into paintings, sculptures and large-scale installations, the Berlin-based artist's conceptual works explore themes of memory, nostalgia and the physical representation of intangible sound and sight.

As an artist, having the freedom to create without boundaries is incredibly rare. That's why I reference the Sistine Chapel-not to compare myself to Michelangelo, but to evoke that moment in history when an artist was entrusted with complete creative freedom to interpret humanity as it was understood at the time,

"The new venue has allowed us to develop the experience of the fair-it lends itself to being more of a destination," Brett W. Schultz, the co-founder and director of Material, tells The Art Newspaper. The fair features over 70 exhibitors this year, with an especially strong contingent of Mexico City galleries that, like Material, have been around for a little over a decade.

The artists José Parlá and Claudia Hilda, his wife, live in a former fire station in Fort Greene surrounded by memories of Cuba, which Parlá's ­family fled in 1970 and where ­Hilda lived until recently. "There's a lot of magical realism here, a big mix of Cuban traditions and religion," says Parlá, pointing to an icon of la Caridad del Cobre, the island's patron saint, in the kitchen. "We cannot move her!"

Sand City sits just two miles from the Monterey Bay Aquarium, yet until this month, visitors couldn't spend the night in town. For decades, this half-square-mile town wedged between Costco and Highway 1 has been hiding in plain sight - a warehouse district turned open-air art gallery, where murals climb concrete walls and sculptors work in spaces that once stored industrial equipment.

From figures with multiple legs and noodles for arms to frolicking trees, Paco Pomet summons the absurd. Known for his uncanny oil paintings rendered mostly in monochrome and enlivened by colorful details of overly stretchy limbs or celestial objects, a sense of nostalgia greets surreal scenarios. The artist often derives his imagery from vintage black-and-white photographs, adding an absurd dimension to history.

For Derrick Guild, portraits of the likes of the Infanta and the Spanish royal family, such as Velázquez's seminal" Las Meninas," provide the starting point for a painting practice that examines social status, mores, and expectations. Through 17th- and 18th-century portraits, Guild examines art as a vehicle for social and diplomatic relations, considering how painting was used to impart very specific messages and emphasize prestige.

The artists José Parlá and Claudia Hilda, his wife, live in a former fire station in Fort Greene surrounded by memories of Cuba, which Parlá's family fled in 1970 and where Hilda lived until recently. "There's a lot of magical realism here, a big mix of Cuban traditions and religion," says Parlá, pointing to an icon of la Caridad del Cobre, the island's patron saint, in the kitchen. "We cannot move her!"

Migration is a thing that transforms a human into a different type of human ... the self being transformed into this being that doesn't exist there, and doesn't exist here