The truth is that I am mentally unwell. Despite this, I have pushed myself to continue with touring. As a result my mental health has only further declined. After discussions with my team, we have decided to cancel the remaining shows and take an indefinite hiatus from live music.
I'm resilient. I've been through lots of highs and lows including a health battle with cancer and I'm still here, still standing, still singing.
I didn't hear Deceptacon by Le Tigre when it was released in 1999, but I was at a friend's house while he was out, going through all his records, and played it by random. It shook me to the core and I think I played it 100 times in on repeat, dancing around, completely excited. I had never heard something so angry and feminine.
There's a particular way artists talk about San Francisco when the city has truly mattered to them-not as scenery, but as a place where something shifted. For Cate Le Bon, the Bay Area lives in that register, folded into memory, music, and a formative period that still resonates beneath the surface of the Welsh singer-songwriter's work. "I've spent a lot of time in San Francisco," she says, simply.
At the time, she told US Weekly, "I loved the idea of how all these guys always are stealing other guys' girls and I was like, 'There's no female anthem for a girl stealing another guy's girl,' so she went ahead and made one. The single's visuals brought a story to that idea, following suburban teen friends Coley and Sonya as they realize they have deeper feelings for each other, despite the fact that the latter has a boyfriend."
When the London jazz festival ran online only in 2020, an enthralling livestreamed performance by Swiss harpist Julie Campiche's avant-jazz ensemble was a startling highlight, introducing UK audiences to a virtuoso instrumentalist and composer who was already turning heads in Europe. Campiche plucked guitar, zither and east Asian-style sounds from the harp, mingled with vocal loops, classical music, Nordic ambient jazz and more. You might call her soundscape magical or otherworldly if it didn't coexist with a campaigner's political urgency on environmental and social issues.
"(Looking Through) Rose Colored Glasses," the new single from Davis' forthcoming Graceland Way, is a freewheeling girls' trip (with Tim Heidecker) that coasts into "Wide Open Spaces"-level jubilation. Recorded just a 20-minute drive from Laurel Canyon, these tight chorus harmonies and sun-kissed pedal steel wear their Californian influence like a bedazzled Stetson.
What if the next No. 1 album didn't come from the industry? What if it came from all of us? Unfortunately, 'all of us' is never as simple as it sounds, and the crowdsourced Everybody's Album—which did not chart, because of a technicality—was not simple in the slightest. Somewhere in this bloated, gestating glut was a topography of internet music, all bitcrushed MIDI and fried Focusrites.
Boston screamo/post-hardcore band The Saddest Landscape are back with their first new album in a decade. Alone With Heaven is due out April 24 via Iodine, and produced in part by the late Steve Albini, one of the last projects he worked on before his death in 2024. They also recorded it with Jack Shirley, and it features appearances from Touché Amoré's Jeremy Bolm, Into It. Over It.'s Evan Weiss, and Julien Baker. We have an exclusive "Where Angels Ascend" cloudy vinyl variant, limited to 100 copies. Pre-order yours in the BV shop.
As a teenager, your biggest concerns may include embarrassment in front of peers, family structural stability, and romantic relationships. As an adult, your biggest concerns are likely similar. Another teenage fear might be someone finding your journal, reading your deepest joys and terrors of personhood. The second album from Portland's Nonbinary Girlfriend realizes that fear, listening like an evolutionary confessional of what it is to be a human in the 21st century.
With so much good music being released all the time, it can be hard to determine what to listen to first. Every week, Pitchfork offers a run-down of significant new releases available on streaming services. This week's batch includes new albums from Ari Lennox, Lucinda Williams, and Cat Power. Subscribe to Pitchfork's New Music Friday newsletter to get our recommendations in your inbox every week.
The 24-year-old Queens rapper spent the 10 hours before her sixth LP dropped walking on a giant self-propelled wheel on view in a gallery in Lower Manhattan, staring ahead and staying quiet as the record played on a loop. The exhibit streamed live on Twitch; inside the gallery, fellow streamers and a smattering of real fans with signs and bouquets watched, too.
With each album serving as one big swing above home plate, Dry Cleaning use their third LP, Secret Love, to confirm they've got one of the most consistent batting averages in modern post-punk. The South London quartet allows each member to lean closer to the forefront-in turns or simultaneously-and show off their sleek form, from Florence Shaw's crisp deadpan quips in " Cruise Ship Designer" to Lewis Maynard's polished, wooden-like bass tone across " Hit My Head All Day."
Raised in Scotland's remote and sparsely populated Outer Hebrides, folk singer Jule Fowlis was immersed in Scottish Gaelic language and traditions.
Over the years, Andrews has garnered comparisons to fellow Arizona native Linda Ronstadt for her rich, clear tone, which can modulate from quivering vibrato to crystalline belt on a dime. From the first piercing high of opening track "Pendulum Swing," Andrews commands her dynamic voice across Valentine, swinging into phrases with the grace and gravity of a trapeze artist.
Jane Remover has released a new song as Venturing. It's called "In The Dark," and it arrives just ahead of the first anniversary of her debut album under the alias, Ghostholding. Check out the song, and its cover art, below. The artist shared her most recent Jane Remover LP, Revengeseekerz, in April 2025, following it up with a surprise EP, ♡, in December.
In October, Oklahoma country music stadium draw Zach Bryan garnered attention at the highest levels of government when he posted a snippet of a track called "Bad News" in which he sings "ICE is gonna come bust down your door." By the end of the week, United States Secretary of Homeland Security Kristi Noem rebuked him on conservative personality Benny Johnson's The Benny Show: "I hope he understands how completely disrespectful that song is, not just to law enforcement but to this country."
The staff of Pitchfork listens to a lot of new music. A lot of it. On any given day our writers, editors, and contributors go through an imposing number of new releases, giving recommendations to each other and discovering new favorites along the way. Each Monday, with our Pitchfork Selects playlist, we're sharing what our writers are playing obsessively and highlighting some of the Pitchfork staff's favorite new music.