TeamLab Planets quickly made a name for itself after opening its doors in 2018. It holds the Guinness World Record for the most-visited museum dedicated to a single group or artist, bringing in more than 2.5 million visitors from April 2023 to March 2024.
I have virtually no idea what the finished piece will look like until I actually begin working with the wood. As a result, the form often emerges as I carve, and I frequently change my plans midway through the process. Naturally, I keep the many failures a secret.
SO KOIZUMI DESIGN has developed Resonique, a ladder that explores the relationship between functional structure and sculptural form. The project draws on the structural logic of ladders while referencing the flowing geometries associated with brass musical instruments. Through this combination, the object shifts from a purely utilitarian tool toward a design piece that engages both function and spatial presence.
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LG Gallery+ is a new visual curation service for LG TVs - and a brilliant way to make your home more unique and personalized. It lets you express your ever-changing creativity with a massive library of classic art, digital and 3D artwork, scenery, games, and more. With more than 4,500 options to choose from, you can turn your LG TV into a world-class art gallery, a peaceful forest, or an homage to your favorite video game - all in the same day.
Appointed Artistic Director of the Visual Arts Department in December 2024, Kouoh had fully developed the theoretical framework of the exhibition, artist selection, editorial structure, graphic identity, and spatial layout prior to her passing in May 2025. With the support of her family, La Biennale di Venezia committed to realizing the project exactly as she had conceived it.
KITONOKO is a community-oriented complex located in a suburban commercial district, conceived as a place where architecture quietly connects people, work, and everyday life. Surrounded by large-scale retail and roadside developments, the project seeks to introduce a more human-scaled, open, and approachable environment within a typically car-oriented context. Rather than operating as a closed commercial facility, the building encourages local residents, visitors, and staff to naturally intersect through spatial openness and continuity.
Workplaces serve as centers to support business transactions, often with cues from traditional corporate styling but little else. For its new office in Tokyo, the staff at KOKUYO, a leading manufacturer of office furniture, stationery, and supplies, envisioned a combination work and learning hub that sparks child-like imagination. The 5,317-square-foot space, completed by DDAA in collaboration with KOKUYO's own design team, centers on the theme of learning.
Naoto Nakagawa's current show at KAPOW brings together a significant group of new acrylic paintings and intimate watercolors, situating his recent practice within both the Japanese shunga tradition of erotic art and his own six-decade exploration of perception, material culture, and the natural world. On view at KAPOW in Manhattan's Lower East Side through February 22, works across the exhibition resonate with themes that have defined Nakagawa's career since the 1960s - most notably his persistent pairing of man-made objects with organic life.
Among the 2025 Aga Khan Award winners is AAU Anastas and their project, Wonder Cabinet in Palestine, whose central aim is to serve as a haven for culture and creativity and a bridge between design and production. Beyond this meaningful project, AAU Anastas-working from offices in Bethlehem, Palestine, and Paris, France-has built a broad portfolio since 2015. Notable works include Dar Al Majous, a restoration in Bethlehem that challenges
In his graphic design work, Aldon transforms periodic tables and dense masses of information into maximalist pieces of design, expressing information whilst also challenging the impossibility of taking it all in. Data sprawls across screens and pages, overlapping in overloads and feedback loops, communicating more the aesthetic of information rather than its substance, playing with images we have all seen in science classes or colour palettes. These are exploded infographics.
The project is structured around a single continuous hanging rail that extends for nearly 100 meters, serving as both the primary display system and the organizing element of the space. In response to the constraints of the site, the design reconsiders the hanging rail as a spatial device rather than a fixed retail fixture. The rail adapts to existing walls, columns, and building services, bending, rising, and shifting in section as needed to navigate obstacles.
Residence AV is a courtyard house located in a dense residential neighborhood in Bruges, Belgium. Designed by YAMA architects, the project responds to a paradoxical brief: a strong desire for connection to the surrounding context combined with an equally strong need for privacy. The client, living alone, was attracted to the social presence and perceived safety of the neighborhood, yet sought a dwelling that could withdraw from direct views and support a more introspective way of living.