"While OrpheusPDX has not incurred debt and is not facing an immediate financial crisis, the company is responding proactively to shifting funding realities by taking a deliberate, strategic pause."
You know, how on a crystal autumn morning everything seems lit up from within, the air sharp as glass, everyone grinning at the startling poem of it all? Then it begins to rain and by the middle of the afternoon it's still raining, and I go for a walk and my shoes get soaked and for the life of me I can't find my umbrella, and I realize with a sinking feeling that The Wet is upon me, moist and insistent.
With Portland sextet Abronia, you sort of have to listen past the spectacle. Forget about the overtly Jodorowsky-Morricone vibes, the tenor sax and the pedal steel guitar, the contralto vocals, the gigantic bass drum, the legend of co-founder Eric Crespo's desert vision. What's really going on here?
No single musician better represents that contribution and its nearly forgotten history than pianist Sidney Porter. From 1941 until his untimely death in 1970, he cast a 6'8" shadow over Portland's jazz scene as both a performer and nightclub owner. Two months after he died, more than 3,000 people filled the Hoyt Hotel in a 10-hour show of respect that included 20 bands and more than 160 musicians.
Daniel Boone, Davy Crockett, Kit Carson, Buffalo Bill Cody - the gang of American frontiersmen is all here in The Undiscovered Country: Triumph, Tragedy, and the Shaping of the American West. The valuable new volume is by historian Paul Andrew Hutton, an award-winning author, documentary writer, and a Distinguished Professor of History Emeritus at the University of New Mexico. Hutton's 565-page history, a New York Times bestseller published last year by Dutton, covers the American frontier from the mid-18th century to 1900.
Anytime an Oregon author, or any other prominent writer, gave a reading at Powell's Books, Steve Arndt would show up early, sometimes by a couple hours, and reserve front-row seats for his fellow writers. He wanted the writer giving the reading to know they had the support of Portland's literary community. His friends say that habit embodies Arndt's kindness, generosity, thoughtfulness, and the way he fostered and strengthened a sense of community in Portland's literary scene.
It was the first Wednesday of December and the last One-Page Wednesday of 2025. Hosted by Portland novelist Emme Lund (The Boy with a Bird in His Chest) at the Literary Arts bookstore, the free monthly event is an open mic that functions more like a public writers' group. Students, aspiring writers, and National Book Award-winning authors hang out and read aloud one page from a work in progress.
