Freezing, knock-kneed and shivering in a tartan pleated skirt. A withering bunch of shamrock attached by safety pin to the only green jumper I owned, still damp from its overnight submersion and the splash of holy water from early mass. A grey, damp day, squashed up against a cold metal barrier since early morning, to 'get a good spot', a red line for my father.
Dolores possessed a voice that could reach deep into your soul. A voice that could carry a sense of joy, but also sorrow in each and every note. Her music was synonymous in every kitchen, pub and dance hall the length and breadth of the country. Dolores was also so popular, simply for her unrivalled sense of wit and kindness that touched the lives of so many.
From the outset, in the novel's prologue, Anna tells us she is determined to account for herself and her life. But we are to expect no ordinary narrative, concerned only with actual events, evidence-based or relying on historical data. No, Anna is interested in the climate of the psyche and the vibrations of the soul. Can it be that the very things we cannot quantify or rationalise are what make life meaningful?
The Irish government will give 2,000 artists unrestricted weekly stipends in a program officials described as a "recognition, at government level, of the important role of the arts in Irish society." After a successful three-year pilot, the Irish government made its basic income program for artists permanent. Similar pilots have been launched here in the United States, but they're supported primarily by the nonprofit sector.
The first season ends with Liam piecing together the truth about Greta's disappearance. As teens back in school, the girls helped Greta bury the body of a journalist (Josh Finan) who threatened to expose the truth about her role in a tragic fire as a young child. When the past catches up with Greta, she fakes her own death with a secret organization that helps women in dire situations.
Finnegan's Wake: An Immersive Ghost Story, presented by 13th Floor Theater, plunges audience members into the beautiful, dysfunctional Finnegan-Plurabelle family. Scenic designer Treigh Buchet, lighting designer Meghan Schultz, and ephemera designer Michelle Josette Crashette transfigure the San Francisco Mint into an Irish family home on the banks of a mystical river. Audience members are free to explore the spaces before the show begins with libation in hand. When the dinner bell rings, the show commences.
Liadan Ní Chuinn was born in Northern Ireland in 1998, the year the Good Friday Agreement ended the Troubles, the decades of violence stemming from England's occupation of Ireland. Other recent fiction about the Troubles-the novels and Trespasses , the TV show Derry Girls (all excellent)-is set firmly in the last century, relegating the violence to history. Ní Chuinn's work does the opposite: Their new book of short stories, Every One Still Her e, is set in contemporary Northern Ireland.
The mixture of old world and new inside a pub that also features a dark, polished wood bar, feels just right for Corrib Theatre's variety show An Scéal (The Story), which combines traditional storytelling and music with modern movement to celebrate the Celtic feast day Imbolc and the return of the sun as well as the Irish National holiday St. Bridgid's Day, both of which are on February 1.
The ghost of a previous lover is always a challenge, particularly if you (mistakenly) believe that she's actually dead. This is the unenviable situation for Lily, the protagonist of O'Farrell's second novel, who is swept off her feet by dashing architect Marcus and in short order moves in with him. Lily takes his assurances that her predecessor Sinead is no longer with us to mark a more permanent absence;
Aoife Rhatigan is an Irish artist from Kilkenny and a recent alumni from Limerick School of Art and Design with a BA in Animation and Motion Design. As well as doing an internship as an animation content creator for clothing company Goodies Sportive in Porto, Portugal, Aoife makes work that reflects her life - a process of chaotically and organically "hurtling towards an end product".