#marina-abramovic

#marina-abramovic

As a child, I imagined a place far behind our own sky. A planet with its own weather, its own atmosphere, its own logic entirely. It was my own version of science fiction. How did it feel on this planet? Was it snowy, windy, or could you sense the first green breath of spring-I called it Planet Z.

"Within the forum's mission, arts and culture play a vital role: they help ensure that progress is not defined solely by economic metrics or technological advances, but by our capacity to remain human, connected and reflective as we navigate an increasingly complex world," says Joseph Fowler, WEF's head of arts and culture. His programme is anchored around three guiding pillars, "Human Presence in the Digital Age", "Tradition and Innovation", and "Connection and Collaboration", Fowler adds. "Together they form a curatorial vision that pairs intellectual rigour with deeply immersive artistic experience."

In 1973, Marina Abramovic debuted her first performance work, 'Rhythm 10,' where she thrust 10 sharp knives between her fingers, occasionally drawing blood.

Anyone flustered by the closeup sight of breasts, bottoms, vaginas and penises should probably start drawing up alternative plans for October.