"There was so much beauty, so much more than enough for everyone, that it did appear to be a vain activity to try and make a corner in it." This quote captures the essence of Villa Beatrice, where beauty and luxury converge in a breathtaking setting.
Harlow filled her lavish estate to the brim with extravagant furniture, including antiques, rare porcelain, mink headboards, gold bathroom fittings, and ermine-covered toilet seats.
"The demand we are seeing from residential buyers and global brands speaks to the rarity of this project, the strength of our hospitality partners and the enduring appeal of the Beverly Hills market."
Perched 39 floors above LA, with spectacular views of the local country club and Pacific Ocean beyond it, this Beverly Hills Penthouse by The Scale Collective prioritizes sanctuary over spectacle through deliberate material choices. Beauty entrepreneur Darya Pishevar cited Pierre Paulin's Pumpkin Chair as an early reference - a telling detail that moved the project away from typical high-rise polish toward something more grounded.
The corner of Sunset Blvd. and Alpine Drive became a traffic nightmare. Tour buses made it a stop. Tourists and locals alike milled about, gawked and took pictures. The neighbors were incensed. The "renovation" performed by Sheik Mohammed al Fassi, then 28, and his wife made them the talk of the town.
The Trump Organization has quietly unloaded one of its last two properties in Los Angeles County, a Tudor-style home in Beverly Hills, for $13.5 million in an off-market sale. The company bought the home for $7 million in 2007, when it was controlled by Trump. It's now run by his two sons, Eric and Donald Trump Jr.
Obviously, this is a significant loss to the musical legacy of our nation and the history of Beverly Hills and its role in shaping American culture. The demolition was wholly avoidable and occurred because Beverly Hills, unlike neighboring cities such as Los Angeles and West Hollywood, lacks a historic preservation ordinance.
This Craftsman home, set on a roomy three-quarter-acre lot, has the rolled roof edges, deep overhangs and protruding rafter tails characteristic of the style developed by brothers Charles and Henry Greene. Originally built for Packard dealer Earle C. Anthony, the shingle-clad house was moved from Los Angeles to Beverly Hills in the early 1920s by silent-film star Norman Kerry.
He built the extra floor without a permit. The neighbors complained and he lost the ability to build out the floor. The county, which governed the area at the time, accused Ashkenazy of exceeding the height limit of the original plan and prevented him from developing the floor for occupancy.