#menswear-creative-direction

#menswear-creative-direction

Schiaparelli's timeless designs spun glamor out of the avant-garde, showcasing a unique blend of high fashion and artistic expression that continues to inspire.

Clare Vivier and Heather Taylor have perfected the art of hosting by dividing responsibilities, with Vivier focusing on wine and Taylor on flowers and dessert. Their friendship of 20 years has led to a seamless collaboration that enhances the dinner party experience.

The new store preserves the building's historic character-keeping original brick walls exposed-while layering in contemporary materials such as metallic finishes, reflective surfaces, and semi‑gloss flooring.

"There's been a lot of just public transit fervor going on. I have always taken the MBTA, so it's definitely a sight I'm familiar with."

ROOM FOR DREAMS becomes a living manifesto for utopian optimism, creative courage, and the power of imagination through a multilayered approach where large scale installations, cinematic storytelling, live conversations, and ritual-driven encounters converge.

At Shoptalk 2023, companies unveiled innovative tools that place AI at the forefront of commerce, reflecting a significant shift in retail dynamics.

The name - the Antwerp Six - was coined by the British press, a tidy shorthand for six entirely distinct sensibilities crammed onto a second floor between copies of Lady Diana's wedding dress.

Meryl Streep and Anne Hathaway kicked off their global press tour for 'The Devil Wears Prada 2' in Mexico City at Museu Frida Kahlo, debuting new looks for the evening.

Future serves. He volleys. He shouts '15/Love' from the baseline. Now you know. This knowledge comes courtesy of Louis Vuitton's latest campaign, dubbed, appropriately, 'In My Bag.'

The safari jacket owes much of its makeup to this lighter-weight cousin. Safari jackets were worn by troops in all the warm-weather colonial trips made by the turn of the (20th) century European powers.

Beneath a dome that once watched over the French Communist Party's debates in the 1970s, a large self-illuminating dinner table is prepared. Its oval shape stands in the middle of a room noisy with conversation and Object Blue's elegant, beat-driven dinner soundtrack. Guests like Gabbriette, Cruz Beckham, Paloma Elsesser, Damson Idris, ASAP Nast and Pusha T gather under a DayGlo hanging light box. The setting looks, not at all accidentally, like Kubrick's vision of a war room in Dr. Strangelove. And it is a party.

Fifteen years after the death of Lee McQueen, the brand is struggling to maintain momentum. The founder is a hallowed name in the fashion industry, and one of the few modern designers to whose character and story the wider public feel a connection. But the generation who wore McQueen's original bumsters have aged out of shock-value fashion, and the name has less power over younger consumers.

It's easier than ever to buy a suit. Mall mainstays like J.Crew make very good ones in a range of fits, with a seasonally rotating selection of new and interesting cloths. Affordable specialists like Suitsupply and Spier & Mackay offer impressive quality while pricing everything from two-button jackets to full-fledged tuxedos for far less than it seems they should be able to.

What if I took my design lens and built out my essentials capsule for the Everlane customer? I felt like that would be a really amazing opportunity for me to introduce myself as a designer to an audience outside of EB Denim.

That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.

Stylist and writer Orla Dempsey tried on some ties for a week, following a big fashion trend for 2026 and following in the footsteps of some famous faces

In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.

It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom

I think that people have realized that if I had a pair of distressed jeans, they can't wear them more than once or twice - three times tops - in a year because it's gonna look repetitive,

Speaking backstage before the show, Anderson, dressed in his signature faded Levi's jeans and a navy cashmere sweater, described the collection as another character study, explaining that this time he set out to explore the idea of a new aristocracy, questioning what it means today and what can it be? The-41-year old designer said when it came to the social hierarchy he wanted to ignore the aspect of money and instead home in on their eccentricity.

What exactly Giorgio Armani looks like without its eponymous founder at the helm has been the burning question in the fashion industry since the designer's death in September. In Milan on Monday afternoon, it got its answer as the designer's collaborator and right-hand man of four decades, Leo Dell'Orco, made his debut at the Italian fashion house where he will oversee menswear for the foreseeable future. It was the first Armani collection in which the late designer had no involvement.