#music-biopics

#music-biopics

Neville might not dig up any new revelations or eyebrow-raising moments, but it does elevate the voice of McCartney and relates how some naysayers have discounted his post-Beatles work while others—including John Lennon's son, Julian—consider some of his so-called misfires to be ingenious.

The Rock & Roll Hall of Fame 2026 nominees have been revealed. This year's shortlist includes Sade, Phil Collins, Mariah Carey, Joy Division and New Order, and Oasis. Rounding out the field are the Black Crowes, Iron Maiden, and Billy Idol, as well as first-time nominees Luther Vandross, Lauryn Hill, Wu-Tang Clan, Jeff Buckley, Melissa Etheridge, INXS, New Edition, Shakira, and P!NK.

Queen guitarist Brian May has ruled out touring in the US for the foreseeable future, because of the potential danger it would pose. Speaking to the Daily Mail, the 78-year-old said: America is a dangerous place at the moment, so you have to take that into account. It's very sad because I feel like Queen grew up in America and we love it, but it's not what it was. Everyone is thinking twice about going there at the moment.

A MARTINEZ, HOST: As we finish this year, let's listen to some of the musicians we lost in 2025. Sam Moore was half the R&B powerhouse Sam & Dave. He sang on smashes such as "Hold On, I'm Comin'," "I Thank You" and this one. (SOUNDBITE OF SONG, "SOUL MAN") SAM AND DAVE: (Singing) I'm a soul man. I'm a soul man. MICHEL MARTIN, HOST: We also lost the guitarist on that song, Steve Cropper. He defined the sound of Memphis soul with the Stax Records House Band. He appeared on hits by Otis Redding, Booker T. & The M.G.'s and Wilson Pickett.

There were laughs of surprise around me in screen three of the Everyman in Muswell Hill, north London, as 28 Years Later: The Bone Temple drew to its conclusion. Without giving too much away for those who haven't seen it, Ralph Fiennes dancing semi-naked among piles of human bones to Iron Maiden's The Number of the Beast is not how you expect one of our greatest thespians to deport himself on screen.

Becoming Led Zeppelin, a film about the British band that dominated the music industry in the 1970s, was the most successful feature documentary at the US box office in 2025, taking over $10m. (Taylor Swift's The Official Release Party of a Showgirl grossed considerably more, with $34m, but as an album-promoting clipshow it is evidently in a different category.) Despite breaking up in 1980 after the death

I don't want to get into the Beatles thing, not coyly, but actually because I think the world hopefully will benefit from knowing as little as possible going into it.

The esteemed film-maker was licking his wounds: his most recent picture, Far from the Madding Crowd, which imbued its 19th-century rural characters with an anachronistic King's Road style and panache, had flopped stateside. Childers approached the date with mixed feelings. He adored Schlesinger's previous movie, the jazzy Darling, starring Julie Christie as a model on the make, and had seen it three times.