All of us live in an age where we're bombarded by social media and artificial intelligence - when striving to be your authentic self becomes an increasingly difficult task. Yet, even if it has somehow become a common goal, it is unclear how many of us can truly define the "authenticity" that we say we are pursuing.
Writing was created in response to the need to communicate over long distances in trade and, initially, was focused on the purely practical aspects of record-keeping. Scribes in ancient Mesopotamia recorded what commercial goods had been shipped to which destination, their quantity, purpose, and cost.
Plato's choice of this word is deliberate. He is not describing neutral carriers. He is describing people whose job is manufacturing a convincing reality for an audience that cannot see behind the curtain. Here is what matters clinically: the conjurers are not necessarily villains. They may be devoted parents, conscientious teachers, or well-meaning community leaders.
I wanted to write a book about how the smartphone changed the world, but the more I researched, the clearer it became that phones were actually the latest step in this evolution of storytelling technology that stretches all the way back to prehistoric times.
We are living through one of the most disorienting periods in recorded history. The AI race is accelerating toward ever faster, ever more sophisticated automation and optimization. Agentic AI systems are moving from research labs into workplaces, healthcare, and governance. Geopolitical tensions are restructuring alliances faster than institutions can adapt. And planetary systems are signaling, with increasing urgency, that our current trajectory is unsustainable. Amid all this, it is dangerously easy to lose sight of a foundational question: What are we actually optimizing for?
"No, not yet. I am waiting until I am serious with someone, and until then, I am only doing oral and mutual masturbation. My reply, "That is sex!" This usually gets a response of, "Well, I meant f*cking," which they equate to sex. Nothing else. I have to remind my clients that fellatio and cunnilingus is called "oral sex" for a reason. That is still sex."
Are heroes real, or are they simply stories we tell ourselves? Either heroes are objectively real-brave people who perform extraordinary acts of courage and sacrifice-or heroism is merely in our heads, a social construction shaped by culture, media, and wishful thinking. This debate shows up everywhere: in classrooms, in popular culture, and even among scholars who study heroism for a living.
The Stasi, the secret police, were legendary for their data files. Their work was based on instilling fear, and they induced stunningly amazing numbers of East Germans into informing on their neighbors. Something along the lines of 1 in 6 East Germans were informants, whether out of fear or out of approval of what the East German government was doing.
Unfortunately, hypnosis has a negative reputation among the general public, in large part because of how it's been portrayed by the movie and entertainment industry. Also, I was aware that in the late 19th century there were many false positive and negative claims about hypnosis that soured the public on the possibility that hypnosis could be helpful. I did not want to create or add to a 21st-century perception that hypnosis was quackery, and therefore chose to withhold telling about some of the most amazing events that I had encountered with my patients when I first wrote about hypnosis, because these stories might have been too hard to believe.
In a recent talk in Zurich, German psychoanalyst Konstantin Roessler surveyed the current state of dream research. Tracing some of the earlier scientific studies on dreams, he made a renewed case for the importance of dreams. Even formerly skeptical neuroscientists have now begun to see the meaning, purpose, and value of dreams for everyday life and overall psychic health. Dreams as Meaningless "Content"
Two Chinese Artists Created This Terrifying Hyper-realistic Sculpture Of The Falling Angel An Artist Captured the Innocence of Childhood by Photographing His Three Sons Florey's Unforgettable Alternative Movie Posters Sensitive Ballerina Watercolour Portraits By Liu Yi Artist Turns Animals Into Original Characters That Look Like They Belong In An Anime Russian Artist Adds Digital Pixel Glitches To Animal Tattoos. And It's Awesome!
We've all been there. Someone starts telling a story, and within seconds, your mind starts wandering. Maybe you pull out your phone, suddenly remember an urgent email, or find yourself mentally reorganizing your weekend plans. The storyteller doesn't notice. They keep going, completely unaware that they've lost their audience. After interviewing over 200 people for various articles, I've noticed patterns in how people communicate their experiences. Some captivate you from the first word, while others lose you before they've even gotten to the point.
His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.
At first sight, Winslow Homer's " The Brush Harrow," which depicts two young boys, a horse, and a harrow against an arid landscape, evokes a feeling of somber isolation - but it's hard to pinpoint why. During a talk by curator Horace D. Ballard at the Harvard Art Museums on Jan. 29, visitors learned that Homer painted the scene in 1865, as the Civil War was ending, making the emotional underpinnings of the work clearer.
Following some of the arguments in Ernest Becker's 1973 study The Denial of Death, he proposes that such crises are at least partly the result of the western reluctance to face mortality. In Britain, we eschew open coffins, for instance. When our relatives die, as my mother did two years ago, they die in a hospital rather than at home. We can hardly even bring ourselves to say die, preferring euphemisms such as pass away.
At the outset of the Kalevala, Finland's national epic, a singer bemoans his separation from a beloved friend who grew up beside him. Today, the friends rarely meet "näillä raukoilla rajoilla, poloisilla Pohjan mailla" - lines which translator Keith Bosley renders "on these poor borders, the luckless lands of the North." The Kalevala, a poetic masterpiece of nearly 23,000 lines, first appeared in 1835. Now, nearly 200 years later, those "luckless lands of the North" are an increasingly tense border zone.
Tom Layward, the narrator and main character of Ben Markovits' new novel, The Rest of Our Lives, introduces himself in a curious way: On the very first page of the book, he talks, matter-of-factly, about the affair his wife, Amy, had 12 years ago, when their two kids were young. Amy, who's Jewish, got involved at a local synagogue in Westchester; Tom, who was raised Catholic and is clearly not a joiner, remained on the sidelines.
For most of my life, I thought of myself as a fixed entity: This is me. These are my traits. This is who I am. I assumed I was essentially that same person who loved sugary cereal at age 8, fried chicken at 12, and tequila at 21, and who still loves those things now, even if my stomach disagrees. But this is an illusion. Neuroscience, physics, and Buddhism all agree: There is nothing fixed about us-not even close.
