The Bandera Cimarrona, a flag conceived at the first edition of the International Summit of Afro-descendants in Puerto Rico in 2022, stands as a symbol of the resistance, the pursuit of freedom, and the strength of Afro-descendants on the island and throughout the Americas.
Seeking Sexual Freedom is about rediscovering the rites of passage across African cultures that Nana believes can build new models of sexual freedom. In the book, she asks: Are our Indigenous religions more expansive than the Abrahamic faiths we predominantly practise today? Can we go back to the best of our traditional practices, and use that knowledge as a foundation?
At raves, the dance floor is present. You go to a usual Lagos party, and there is no dance floor. We barely have spaces to just dance, spaces you can just go to literally have a nice time. Most places you have to make a reservation, or book a table, it is a lot more complicated.
Unlike virtually all other non-European ethnicities, SWANA - or Middle Eastern/North African (MENA), as used in the show - is grouped under "White" on the US census. It's not just the census, though. It's medical forms, college applications, just about anything with a check box for ethnicity. Efforts have been made to change this, with some success. More institutions are adding a separate category on forms - and one might appear on the 2030 census.
It is a dance tradition, but it's very much culturally rooted. It's also for many, if not all, the people involved, a spiritual practice. But even in different (dance) groups that hold to different ways of being, we still collaborate together - we still work together to uplift the culture.
The Irish government will give 2,000 artists unrestricted weekly stipends in a program officials described as a "recognition, at government level, of the important role of the arts in Irish society." After a successful three-year pilot, the Irish government made its basic income program for artists permanent. Similar pilots have been launched here in the United States, but they're supported primarily by the nonprofit sector.
Gomis told DW the film includes a tribute to his late father. Part of the production was filmed in the village where his father was born, in the Cacheu region of Guinea-Bissau. "The grave you see in the film, the one the two characters speak to and touch that is my father's grave. The photograph of that man in the film that is my father," he said.
It's my mom's favorite country, and the house we share is full of treasures from her travels there, from peacock fans and silk scarves, to jewelry boxes carved from mango wood. I grew up in the UK, hearing spellbinding tales of painted elephants and mirrored palaces, and India soon occupied a special place in my imagination. Having got to 42 without making it to the promised land, this summer my chances of going there felt slimmer than ever.
As the women built a thrumming rhythm from their drums and began to chant while others danced, the Hula Halau O Nalua and Ote'a Api School of Polynesian Dance seemed to teleport from the interior of an industrial park in Fremont to a Hawaiian island. It was a Wednesday evening, and a class of about 25 students had gathered in this halau, or hula school, to practice their dances.
He keeps returning to the same spot a small, burned-out shop in the centre of Woro in western Nigeria's state of Kwara. Tanko looked exhausted, his eyes red and swollen, his voice barely rising above a whisper. Inside that shop are the corpses of my friend's son and grandson, he said, fighting back tears. It was difficult to make out the bodies in the blackened shell of the shop.
Walking through Ideas of Africa: Portraiture and Political Imaginationat the Museum of Modern Art, I noticed that the exhibition didn't have definite sections or texts, and the wall labels abstained from naming the nationalities of the photographers. It was an invigorating experience to be in a show that eschews geographic boundaries set up by Western nations, as well as rejects a cause-and-effect narrative that centers Western colonialism as a framework for understanding African aesthetic production.
Michelle Paulin dances while instructing youth at the Dulce Tricolor Venezolano dance group at the Ariel Dance Studio in Campbell on Jan. 25, 2026. Dulce Tricolor, a Bay Area Venezuelan dance group founded in 2019, teaches children traditional folk dances while preserving culture, building community and offering a sense of home amid Venezuela's ongoing political and economic crisis. (Josie Lepe for KQED)
From Senegal to Somalia and Egypt to South Africa, credit alert notifications from fintech apps such as Western Union or WorldRemit often set the mood for the rest of the day, week or even month. Transfers from workers within the continent and the diaspora to their relatives are often referred to as the black tax, whereby one person's salary and relative success can become the safety net for a whole extended family.