Among the bold choices in Luca Guadagnino's feverish film of William S Burroughs' novel are the late 20th-century pop and alternative soundtrack (Nirvana, Prince, New Order) for a 1950s story, and the casting of an unrecognisable, orc-like Manville in a trumped-up cameo as the shaman Dr Cotter, who was male in the original book.
The best actress I've ever worked with is Judi Dench, who's such a mischief maker. She's so delightful. She's so, so good. If you ever just want to just hear something short, listen to Judi Dench read a Shakespeare sonnet, just find one on YouTube, and it will move you to tears - you'll just think that is how English should be spoken.
She continued: "I share this with my daughter, who has been with me since she was six weeks old on the road with this. "It's the best role of my life being your mum and I promise to continue to be disobedient so you can belong to a world in all your complete wildness as a young woman. I am very grateful for this."
In an interview last week with the American LGBTQ+ publication Them, when asked about her penchant for taking roles in films featuring LGBTQ+ characters (say, The Favourite or Heartstopper), the actor said that she feels that she has a foot in various camps. Throughout my whole life, I've had arguments with people where I've always felt sort of nonbinary I've never felt massively feminine in my being female.
"Jimpa," a semi-autobiographical drama from director Sophie Hyde ("Good Luck to You, Leo Grande"), stars Academy Award winner Olivia Colman and Emmy winner John Lithgow in a story spanning three generations of the queer community. The film follows filmmaker Hannah (Colman) as she takes her trans non-binary teen, Frances, to Amsterdam to visit her gay father, Jim (Lithgow). When Frances decides to stay there for a year, Hannah is forced to confront her past and her parenting choices. "I think it's a sign of the times," John Lithgow told On The Red Carpet at the 2025 Sundance Film Festival. "This is not just a great film; it really is an important film for this moment."
Listen to the spectacular nonchalance with which she says, "Fine, I'll fuck you, but you have to bring someone who will open your ass for me." Or when she passes Elliot off to an out-of-town associate, with a "Screw her real good, but don't let her penetrate you, she's not that close a friend." Erika's a great, outsize character, and she's also an avatar for Araki's many gleeful provocations.