#public-art

#public-art

"The mystery to me is how something so big and that was supposed to be so prominent has gotten so forgotten," Richard White, a Stanford professor emeritus of American history, told SFGATE.

"The space launches with Ruth Asawa: Untitled, a show curated by Asawa's daughters Aiko Cuneo and Addie Lanier, that speaks to Asawa's tendency to leave much of her art untitled."

Dix Park is a sprawling urban park on the grounds of a former psychiatric hospital with a new installation of giant trolls by the Danish sculpture artist Thomas Dambo and an 18.5-acre adventure playground with multistory climbing towers, corkscrew slides and a sensory maze.

By installing my sculpture Vertical Highways V03 in front of Rockefeller Center, I want to initiate a dialogue of art and architecture that resonates with the urban history of New York City.

The community held a farewell party for Dinosaur, complete with pigeon-themed trivia, pigeon bingo, live music, and family activities. The statue's creator, Iván Argote, was even in attendance signing exclusive prints of what has become one of the most iconic birds in the city.

They had to learn how to read drawings upside down, because they weren't allowed to sit next to the white clients. So I was incorporating things like the half doorway to symbolize their struggle. The tower is a nod to five Black architects, trailblazers whose creations sometimes went unnoticed or overlooked.

This mural is intended to celebrate the greatness that these foreign-born players have brought to this community and [Japan's] friendship city ties to Torrance. Torrance has the largest Japanese population in North America and this mural is intended to foster #Unity and serve as a cultural bridge from Los Angeles to Japan.

Art on the Underground was launched in 2000, with site-specific works exploring themes of community, space and place. David Gentleman's 'Cross for Queen Eleanor', for example, is synonymous with Charing Cross, while Eric Aumonier's sculpture 'The Archer' looks imperiously over East Finchley station, linking the site to its historic surroundings as an ancient hunting area.

Students from across Minnesota are invited to submit designs for a permanent memorial at a 2,247 sq. ft site outside the Cup Foods at East 38th Street and Chicago Avenue, where Floyd died in May 2020 after former officer Derek Chauvin knelt on his neck. The intersection has since been renamed George Perry Floyd Square and features a traffic circle with a temporary memorial at its centre.

The Bay Lights belong to San Francisco, Illuminate founder Ben Davis said in a Thursday statement announcing the March 20 relighting date. They're a reminder that beauty can live at the scale of infrastructure and that awe can be part of a city's identity. SF Mayor Daniel Lurie also chimed in on the same Thursday announcement. The Bay Lights are an iconic symbol of San Francisco and the entire Bay Area, Lurie said in the same press release.

It's not that advertising campaigns are never announced, but when they are, it's usually in advertising trade magazines, and generally by the agency that did the work. The client doesn't normally issue a press release that essentially says, "We are putting up some posters." Yet that is exactly what the Tate has done, issuing a general announcement that it will run an advertising campaign for its upcoming Tracey Emin exhibition.

Clock House No. 2, a public art installation by Drawing Architecture Studio, does exactly that. Every fifteen minutes, it chimes and glows, turning timekeeping into something you can walk around, peer into, and experience with your whole body. The Beijing-based practice created this piece for the 7th Shenzhen Bay Public Art Season in China, where it's on view until April 19th, 2026.

Meet all the horse statues just installed around San Francisco to celebrate the Lunar New Year's Year of the Horse, as these intricately designed horse monuments now adorn SF parks, markets, and public spaces. You may have noticed that all of the San Francisco Lunar New Year Celebrations are starting a little later than normal this year. That's because the Lunar New Year itself starts a little later than normal this year.

Drawing Architecture Studio presents The Clock House No.2 at the 7th Shenzhen Bay Public Art Season in Shenzhen, Guangdong Province, China, on view until April 19th, 2026. Commissioned for the public art program, the Beijing-based practice reinterprets the historical automaton clock as architecture, using low-cost industrial components to construct a structure that chimes and glows every fifteen minutes. Where the clocks once gifted to emperors represented technical virtuosity and expensive craftsmanship, this installation adopts a deliberately rough and economical construction.

An orange cat named Cheeto, who's been an internet meme for quite some time, is a fixture of the physics department at the University of California, Davis campus, where students and staff leave out food, beds, and the occasional note about his whereabouts. Sightings get logged on Instagram, and he's even picked up a joking Rate My Professors profile, complete with five-star reviews. Most days, Cheeto is easy to find sleeping in the sun or stretched out in the landscaping, clearly unbothered by his reputation.

The six-month extension must be approved by the Visual Arts Committee, the full Arts Commission and then Recreation and Parks. Both the Feb. 18 Visual Arts Committee meeting and the full Arts Commission meeting on March 2 will provide opportunities for public comment on the proposal. A spokesperson confirmed that Recreation and Parks does not incur any costs from the installation of R-Evolution. In a presentation created by Building 180 and the Big Art Loop for next week's meeting, R-Evolution is framed as a convenient placeholder until Embarcadero Plaza and Sue Bierman Park renovations begin. Recreation and Parks currently lists that project's construction start date as "TBD."

I mean, I was excited cause I thought maybe Macy's coming back,

Last summer, I did face painting at a block party in my Brooklyn neighborhood. In the sweltering August humidity, I rendered pink butterflies and Spiderman webs on tiny, sticky faces; unsurprisingly, my designs didn't last very long in the bouncy castle. Except for the glitter. For weeks, I found it in my hair, on my cats, in my sink, and in random corners of the house, migrating to and fro like dandelion fuzz.

Designed by Boston-based sound and installation artist Ryan Edwards and his team at MASARY Studios, the installation doesn't just sit there looking pretty. Every shift in color and geometry is triggered by audio recorded on Fulton Street itself, whether it be traffic rumbling past, snippets of conversation, subway noise, pigeons, crosswalk signals or devotional music drifting in from Brooklyn Tabernacle down the street.

Sand City sits just two miles from the Monterey Bay Aquarium, yet until this month, visitors couldn't spend the night in town. For decades, this half-square-mile town wedged between Costco and Highway 1 has been hiding in plain sight - a warehouse district turned open-air art gallery, where murals climb concrete walls and sculptors work in spaces that once stored industrial equipment.

My mind, though enfeebled by New Year's celebrations, was fine; I'd traveled to Queens to see Jeffrey Joyal's "my Life Underground" at Gandt. For this exhibition, the gallery left its longtime home in a basement for a column-laden miniature ballroom in a clinic up the block, complete with a wrought-iron chandelier and ghostly portrait hanging above the crown molding. Walking through the lobby to the exhibition room, I passed by an empty suggestion box entreating patients to "rate their therapist."