#rbsoul

#rbsoul

Eshu's proverb tells both a story of reparation and of ancestrality by joyfully bending spacetime conventions and accessing subjects from the past with present actions.

Fifteen years ago, when the Lisbon imprint was reckoning with near-empty dancefloors at the recently shuttered Musicbox venue, it would have been inconceivable for Principe to host a party at Lux widely considered to be among Europe's best nightclubs let alone pack out the roughly 1,500 capacity venue with the likes of minimal techno legend Richie Hawtin in attendance.

"It's slow music, the lyrics transmit good feeling and it's moody," said frontman Gustavo Raya Garcia following the album's release on March 26.

Military police chief Marcelo Menezes Nogueira said that the raid resulted in a major armed confrontation. Dos Santos and six other suspected criminals were killed, and a local resident was reportedly caught in the crossfire after being taken hostage.

Community members of all ages are invited to gather for the first annual Boogie Down Brisbane, a hip hop benefit concert, that will showcase a vibrant, family-friendly lineup of hip hop music, art, activities, and community solidarity on Saturday, March 21, 2026, from 12:00 p.m. to 4:00 p.m.

The album showcases an audacious blend of trap, rock, pop, and experimental elements, all infused with a refreshing emotional honesty.

Pianist Dr. Gabriela Calderón and violinist Dr. Catalina Barraza celebrate the rich musical heritage of Latin America.

Genre-blending in Latin music is nothing new, but timing and execution set them apart, along with an uncanny ability to turn internet absurdism into cool songs, all wrapped in sharp musicianship and rock 'n' roll panache.

R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.

Rockie does kinda feel like the album Donna Hayward would make if she could pursue her musical ambitions: She'd be influenced by Julee Cruise, for sure, and probably Chromatics, and Sky Ferreira, and what could be more Badalamentian than the cloudburst of synth that opens "On Our Knees"?

When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

Among the people working in the drug business in Brazil's favelas, there are those who once dreamed of being an airline pilot, an astronaut, a teacher or a writer but, as they say around here, took the wrong path. Now, their dream is a house of their own and a stable source of income away from crime. A luxury car or motorbike are also on their wish list.

This song deals with immigrants who have come to a place seeking refuge and start a new life. Once assimilated into a false sense of security and relentless propaganda they began to act out against what they hate about themselves.

Rick Azevedo, a resident of Rio de Janeiro, had been going from job to job for 12 years. All his positions had one thing in common: six consecutive work days, with one day off. On a Sunday night in 2023, consumed by exhaustion, he told himself that enough was enough. His boss had just called to ask him to come in early to his Monday shift as a pharmacy assistant. Feeling powerless and angry, the Brazilian grabbed his phone and logged into TikTok to vent.

January is the month where music is moving underneath the surface, feeling out the venues, plotting and planning for those great days under the sun, at a festival. If you are a globe-trotting DJ or band, January is the month you're finishing up those FaceTime calls with managers and bookers, and plotting out which month you'll be on the road playing the Empty Bottle in Chicago, the Iron Horse in Northampton, MA, or the Continental Club in Austin, TX.

Chances are, if the Atlanta rapper sounds like they have a loogie stuck in their throat, I'll probably like them. B5 and Zeeball? Yep-"Heist" might be the biggest omission from our Best Rap Songs of 2025 list. Rroxket? I still listen to his zooted-out regularly. Before I get carried away, let's add Bby Kell to that list. Her new tape, Straight Pop, is cool as hell-it reminds me of Glokk40Spaz back when his bread and butter was belligerent dark plugg.

In the just-named Grammy Album of the Year, DeBÍ TiRAR MáS FOToS-which Bad Bunny has declared his " most Puerto Rican album " to date-the supernova reggaetonero painted an evocative portrait of the Caribbean island, while declaring to a whopping 8.6 million listeners: "VOY A LLeVARTE PA PR" (I'm going to bring you to Puerto Rico). And he did. Last year, a record-breaking number of tourists-7,486,000 to be exact-visited Puerto Rico's tropical shores.

The rapper, known on his tax form as Charles Wingate and known by his old Harlem associates as Charley Rambo, made his name in the rap game during an all-too-brief run in the 2000s, as one of the most colorful members of Jim Jones' Byrdgang, his solo offshoot from the Diplomats (although due to his growing up with rappers Cam and Mase, Max is like honorary Dipset).

Rap music has long been framed as a genre of excess: too loud, too violent, too vulgar. From its beginnings, it has been associated with anger, confrontation, and a form of hypermasculinity that leaves little room for alternative expressions. In France especially, rap has often been perceived as the voice of male youth from working-class neighborhoods, carrying narratives of struggle, rivalry, and domination.